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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Fight the battle in the Body

Spiritual Warfare In the Body

English885
1
Fight the battle in the Body,
Never fight it on your own;
With the Body to the Head joined,
Fight the battle on the throne.
 
Fight the battle in the Body!
By the virtue of the Head;
Standing firmly with the Body,
Into vict’ry you’ll be led.
2
For the Body is God’s armor,
Not for anyone alone;
When you wrestle in the Body,
All its benefits you own.
3
’Tis the Church on Christ established
Satan shall not overpow’r;
’Tis the Body built together
Which resists the evil pow’r.
4
In the Body, by the Headship,
Sitting in the heavenlies,
Struggle with the wicked spirits
And the principalities.
5
As a member of the Body,
With the brethren stand for God;
Praying always in the Spirit,
Claim the vict’ry through the Blood.
6
In the heav’nlies more than conqu’ror,
In the power of His might,
As a soldier in the army,
In the Lord the battle fight.
7
Keep on wrestling in the Body,
Mighty vict’ry you will see,
Bind and loose, God’s will fulfilling,
And the foes your food will be.

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Mark Gaski

Dorchester, MA, United States

Nov 15, 2025

Your people will offer themselves willingly in the day of Your warfare

Read more
Marianela

Dublin, Ireland

Oct 7, 2025

Those who are counted as overcomers will be the weaker ones, the ones who wept with tears, saying,

"Lord, I cannot make it... We should be in oneeness with You.

You are our dwelling place, and we are Your dweller..."

Read more
Br Jeff Hall

Church In Worcester, Massachusetts, United States

Jun 18, 2023

We stand as ONE in each locality, We constitute the Body and BRIDE of Christ! HAlleluia! Amen!

Read more
Andrea

Canada

May 22, 2021

Tis the Church on Christ
established
 Satan shall not overpow’r;  
’Tis the Body built together  
Which resists the evil pow’r.
Amen

Read more
Maeriehl Joy Roxas

Philippines

Mar 10, 2021

Stanza 7 says "Keep on wrestling in the Body, / Mighty vict'ry you will see."

Eph. 6:12 footnote 1a [... ] our wrestling, our fighting, must not be against men but against the spiritual forces of evil in the heavenlies.

Eph. 6:13 Therefore take up the whole armor of God that you may be able to withstand in the evil day, and having done all, to stand.

The church is a corporate warrior, and the believers are parts of this unique warrior. We must fight the spiritual warfare in the Body, not individually. (Life-Study of Ephesians, Chapter 74, Section 3)

Read more
Ann Barton

Desert Hot Springs, CA, United States

Jul 23, 2020

Standing firmly with the Body, into victory you will be led. We need to stand firmly with the Body. We cannot wrestle with the principalities. But as the Body under the Head with the saints we are victorious!

Read more
Marites Salig

Oroquieta City, Mis. Occ., Philippines

Apr 1, 2020

Hebrews 4:16 let us therefore come forward with boldness to the throne of grace that we may receive mercy and find grace for timely help.....

*yes Lord Thank the Lord that we need to come forward to the throne of grace because our fighting is not by our own but in the body on the throne. The battle can only be won in the body. Praise the Lord that the grace of the Lord Jesus Christ be with us, for us to remain in the body.

Read more
Sonny Seria

Regina, Saskatchewan, Canada

Mar 31, 2020

Keep on wrestling in the Body,

Ephesians 6:13 - Therefore take up the whole armor of God that you may be able to withstand in the evil day, and having done all, to stand.

In fighting we need to stand to the end. Having done all, we still must stand.

Read more
Thành Le

San Francisco, California, United States

Feb 29, 2020

Fight the battle in the Body which is the corporate Warrior under leading of Captain Christ, we will certainly defeat our enemy, Satan.

Read more
Minjarez

Dec 4, 2019

😪Throwback to the 2019 July Training

Read more