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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Blest be the tie that binds

The Church Her Fellowship

English860
1
Blest be the tie that binds
Our hearts in Christian love;
The fellowship our spirit finds
Is like to that above.
2
Before our Father’s throne,
We pour our ardent prayers;
Our fears, our hopes, our aims are one—
Our comforts and our cares.
3
We share our mutual woes;
Our mutual burdens bear;
And often for each other flows
The sympathizing tear.
4
When we asunder part,
It gives us inward pain;
But we shall still be joined in heart,
And hope to meet again.
5
From sorrow, toil, and pain,
And sin we shall be free;
And perfect love and oneness reign
Through all eternity.

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Pam Newlyn

Rochester, Kent, United Kingdom

May 28, 2020

This used to be a favourite, amongst many hymn many years ago when I was part of the Baptist Community. Many years on, it is not a hymn that we sing , but I suddenly started singing it to myself the other day and wanted to refresh the words in my memory.

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Karen Weaver

Omaha, Nebraska, United States

Apr 20, 2020

I woke up this morning singing this powerful song. The last time I sang it was over 60 years ago at our pastor's farewell service! Today as my husband and I wait on the Lord for our next assignment my heart is encouraged by these words and the story behind them!!

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Anonymous

Mar 25, 2020

Great song!

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Anonymous

Phila, PA, United States

Mar 8, 2020

Thank you for this beautiful hymn...

😊

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Ana Lara

United States

Dec 18, 2019

John Fawcett was born of poor parents in Lidget Green, Yorkshire, England, in 1740. He was converted to Christ at the age of 16 through the ministry of George Whitfield. At age 26 he was ordained a Baptist minister. He accepted a call to pastor a small and impoverished congregation at Wainsgate in Northern England. After a few years with a meager salary and a growing family he accepted a post in Lane Baptist Church in London to succeed Mr. Gill the well known pastor of that church.

When the day of their departure arrived, the parishioners gathered around the wagons with saddened faces to bid their pastor and his family farewell. Suddenly, Mrs. Fawcett broke down and said, “ John, I cannot bear to leave. I know not how to go! ” “Nor can I either, ” replied John who had also felt apprehensive to leave. The order soon was given to unpack the wagons.

After this time John gave a sermon in which he shared this hymn with his congregation. This poem was first printed in 1782 under the title “ Brotherly Love, ” in a collection containing 166 of his poems.

Fawcett continued his faithful ministry to this humble congregation for more than 50 years. He became a well- known and outstanding preacher and scholar. In 1777 he opened up a school for young preachers. In 1793 he was invited to become a principal of the Baptist Academy at Bristol, England, but he declined the offer. He wrote a number of books on various aspects of practical Christianity some of which had a large circulation. In recognition of his ministry and accomplishments, Brown University in the United States bestowed upon him the Doctor of Divinity in 1811. John Fawcett remained with his beloved parishioners until a paralytic stroke caused his death on July 25, 1817.

The composer of the music for this hymn, Hans G. Naegeli was born on May 26, 1773, near Zurich, Switzerland. He was a music publisher and president of the Swiss Association for the Cultivation of Music. He was known for a pioneer in the field of music education. His teaching methods had much influence on Lowell Mason called the father of public school and church music in his United States. The tune “ Dennis, ” originated in Switzerland and was later purchased by Lowell Mason while he was traveling and studying in Europe in 1837. The music first appeared in ‘The Psaltery’ edited in 1845 by Mason and George J. Webb, with the notation, “ arranged from H. G. Naegeli. ”

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Anonymous

Nov 17, 2019

My sister sang - or more accurately, tried to sing - this song at our father's Feb 2016 funeral service, and repeated it a the graveside service. So when she died in March 2018, I looked up the song, and then understood why it was important for her who had lover our father dearly!

"Blest be the tie that binds
Our hearts...
When we asunder part,
It gives us inward pain;
But we shall still be joined in heart,
And hope to meet again!"

burial

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Anonymous

Jul 15, 2018

This is such a blessed hymn. It makes me feel so uplifted, Thank You Lord for inspiring the writing of this song.

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Steve Miller

Detroit, Michigan, United States

Oct 19, 2017

addendum to my 8/14/2013 post:

The church that he was supposed to be promoted to was one of the most influential of his time. John Gill (author of NT and OT Exposition still much in use today) had been the pastor there for 51 years. That church later became Metropolitan Tabernacle pastored by Charles Spurgeon.

John Fawcett continued his faithful ministry to the humble people at Wainsgate until a paralytic stroke caused his death in 1817 at the age of 77. His salary was estimated at never more than $200/year, in spite of his growing reputation as an outstanding evangelical preacher and scholar.

In recognition of his ministry and many accomplishments, including the establishment of a school for the training of nonconformist men for the ministry, Brown University in America conferred the Doctor of Divinity degree upon him in 1811. On another occasion, the King of England is said to have offered John Fawcett any gift he might desire. He replied, "I have the love of my people - I need nothing more that even a king could provide."

John Fawcett's life is a model of a spiritual leader who sacrificed ambition and personal gain for Christian devotion to God and His people. - '52 Hymn Stories Dramatized' by Kenneth W. Osbeck

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Dcns Mary Yarhere

Lagos, Ikeja, Nigeria

Sep 13, 2017

A spiritual classic hymn that shows how the Word and God's love binds us together. Just finished my early morning devotion and this wonderful hymn just spontaneously popped out of my heart. Gracious Jesus thank You so much.

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Anonymous

Aug 14, 2017

This is so beautiful, this hymn just came to mind as I worshiping the Lord, I had to look it up and sing it, these old hymns are so up lifting, God Bless.

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