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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Hark! the herald angels sing

Praise of the Lord His Incarnation

English84
1
Hark! the herald angels sing,
“Glory to the new-born King;
Peace on earth, and mercy mild;
God and sinners reconciled.”
Joyful, all ye nations, rise,
Join the triumph of the skies;
With angelic hosts proclaim,
“Christ is born in Bethlehem.”
2
Christ, by highest heav’n adored,
Christ, the everlasting Lord:
Late in time behold Him come,
Offspring of a virgin’s womb.
Veiled in flesh the Godhead see,
Hail th’ incarnate Deity!
Pleased as man with man to dwell,
Jesus our Immanuel.
3
Hail the heav’n-born Prince of Peace!
Hail the Sun of righteousness!
Light and life to all He brings,
Ris’n with healing in His wings:
Mild He lays His glory by,
Born that man no more may die;
Born to raise the sons of earth;
Born to give them second birth.
4
Come, Desire of nations, come!
Fix in us Thy humble home:
Rise, the woman’s conqu’ring seed,
Bruise in us the serpent’s head;
Adam’s likeness now efface,
Stamp Thine image in its place:
Final Adam from above,
Reinstate us in Thy love.

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Pcvh

Oct 12, 2010

Excellent hymn! Praise the Lord for Jesus was born to raise the sons of earth and bring peace. Born to us the second birth, God and we the sinners being reconciled. By believing and receiving Jesus we experience regeneration. And now we are reinstated and being reconditioned and enjoying our 2nd birth. Hallelujah!

note: This hymn is a kind of regeneration song but not dedicated for Christmas because in the first place no record that Jesus was born on December 25 and much more no record in the Bible of "Christmas celebration".

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Isaiah Tor

Sydney, NSW, Australia

Aug 25, 2008

This exultant hymn concerns Christ in His statuses as the incarnate Immanuel. The Lord Jesus' incarnation is heralded as being that of the "everlasting Lord", with the joy of the heavenlies accompanying His birth by a virgin. The goal of Christ's birth this hymn retells, concerns not only the Lord's incarnation to become a aan mingled with God, but also that He as God become a man, may by His full salvation, make us man becoming God (but not in the Godhead) as His many brothers commencing from our "second birth" in regeneration, proceeding with Him in transformation and conformation, making His "humble home" in us! Thence at the culmination of this Immanuel's all-inclusive work as the incarnate Christ who passed through human living, death and resurrection to become the Spirit to make home in us, and bruise in us Satan's head (the self with the flesh is Satan incarnate) that we in our saved, uplifted, regenerated humanity mingled with this Immanuel may be reinstated in love to become God's full glory as the New Jerusalem according to God's original intent. Hallelujah!

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Jason

Anaheim, CA, U.S.A.

Feb 12, 2007

"Pleased as man with man to dwell" is a great encouragement for one practicing the God-man living every day. When frustrated by those dwelling with us, we can be cheered and cherished by His own experience in humanity.

"Rise the woman's conqu'ring seed, Bruise in us the serpent's head;" What an aspiration and prayer in applying the prophetic word, so as to appropriate this promise daily, and enjoy once again what the Lord had accomplished on the cross two thousand years ago!

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Susan Kim Tek

Houston, TX, U.S.A.

Mar 28, 2003

Because the song express so much love to our God. Jesus Christ is everything to us. It is good to abide in Him. Praise the Lord!

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Filip S. Syrek

Reading, United Kingdom

Nov 11, 2002

This hymn was written by Charles Wesley as one of over 5000 (!) hymns but certainly this one is the highest out of those thousands. I love my hymn book, I love to delve into the riches which are hidden in the hymns, to pray over and analyse them... There is a number of hymns which are just outstanding in relation to the truth they convey. Always when I come across one of them and get into it with the vision of the high peak of the divine revelation I can't help but go crazy in my spirit. This is the case with the hymn "Hark! The herald angels sing," - it is one of the top, top hymns in this outstanding collection. It touches the core of God's New Testament economy with the high peak notions. It describes the Triune God's incarnation, the coming of the mighty King who chose to become a man, pleased as man with man to dwell, Jesus our Immanuel. He was born that man no more may die! He was born to raise the sons of earth, born to give them second birth. It touches the matter of the real, true sonship of the believers, it speaks about our transformation with His divine element by making His home in our hearts, by crushing Satan's head inside of us, by dealing with our old Adamic nature, by sealing us with the Spirit in order that we may be transformed into His own image! Finally, to reinstate, to re-make, re-constitute us with the very essence of the Divine Trinity which is love. What a vision! What an insight! What a hymn! What a treasure!

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