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About Numbered Notation

All steps
  1. The numbers are the notes of a scale
  2. “1=C” tells you where to start
  3. Dots make a note higher or lower
  4. How long each note lasts
  5. 0 means rest
  6. Bar lines and the time signature
  7. Curves: ties and slurs
  8. The words sit under the numbers
  9. Repeat signs and 1. 2. endings
  10. Minor keys: “6=A”
  11. Put it together: a line of a hymn
  12. Check yourself
  13. Try it on a hymn

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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The Church’s one foundation

The Church Her Foundation

English833
1
The Church’s one foundation
Is Jesus Christ her Lord;
She is His new creation
By water and the Word:
From heav’n He came and sought her
To be His holy Bride;
With His own blood He bought her,
And for her life He died.
2
Elect from every nation,
Yet one o’er all the earth,
Her charter of salvation,
One Lord, one faith, one birth;
One holy Name she blesses,
Partakes one holy food,
And to one hope she presses,
With every grace endued.
3
’Mid toil and tribulation,
And tumult of her war,
She waits the consummation
Of peace for evermore;
Till, with the vision glorious,
Her longing eyes are blest,
And the great Church victorious
Shall be the Church at rest.
4
Yet she on earth hath union
With God the Three in One,
And mystic sweet communion
With those whose rest is won:
O happy ones and holy!
Lord, give us grace that we,
Like them, the meek and lowly,
In love may dwell with Thee.

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Nangamso Siwayi

South Africa

Jul 30, 2014

Vivian Akosua Twum could not have said it better. I love this hymn. It's always a blessing to listen to it and meditate on the words.

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Vivian Akosua Twum

Tema, Greater Accra, Ghana

Apr 3, 2014

The words in this hymn is so powerful that you can use it to pray. I personal been touched by this words : - From heav’n He came and sought me.To be His holy Bride; With His own blood He bought me, And for my life He died.

Her longing eyes are blest, And the great Church victorious Shall be the Church at rest.

Hymns are not something that you just have to sing or listen, it has a lot of meaning and deep understanding if you are not descendent by the spirit it will be difficult for you.

When am down or sad I like singing hymns to revive my soul.

Elect from every nation, Yet one o’er all the earth,Her charter of salvation, One Lord, one faith, one birth;One holy Name she blesses, Partakes one holy food,And to one hope she presses, With every grace endued.

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Samuel Opol

Mukono, Uganda

Apr 2, 2014

This is a great hymn whose theological value spans the life of the Church of Christ. As an ecumenist, I stand in deep appreciation for its meaning for the church in a highly pluralistic world where it is called to bear common witness to Christ.

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Douglas Wallace

CO, United States

Mar 25, 2014

Outstanding hymn with powerful comforting lyrics and beautiful music.

Fortunately this version keeps the original first words of verse 2 as "Elect of" vs. "She is from", which revision greatly and sadly waters down the truth of its theological power.

See also the new book "From Heaven He Came and Sought Her" edited by the Gibson brothers.

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James Finney

Monterey, CA, United States

Nov 9, 2013

This song is such an inspirational summation of the beliefs and doctrine of the Christian church, and how I miss it! Our church, The Church of the Nazarene, no longer plays these wonderful old hymns, instead plays long sets of praise choruses that teach nothing of doctrine or belief. Worship is fine, essential, but without knowing what or why you are worshipping it is empty and an exercise in giddy hand-waving and empty ecstasy, metaphorically like building a house with no foundation.

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Steve Miller

Detroit, MI, United States

Aug 15, 2013

Samuel Stone's ministry was located among the poorer people at the outskirts of Windsor. He was a fighter. He stood up for what he believed, and if local "toughs" threatened the neighborhood, he was not afraid to take them on. In the Church of England, Stone was regarded as a fundamentalist, opposing the liberal theological tendencies of his day. When he was 27, he wrote a collection of hymns based on the Apostles' Creed. This hymn, taken from that collection, is based on the article in the Creed regarding the church as the Body of Christ.

Two years later, Anglicans from around the world met to discuss the crucial theological issues that were raging in the church. Significantly, they chose Stone's hymn as the processional for their historic conference. - Great Songs of Faith by Brown & Norton

--------------------------------------------

The 4 stanzas given above are what are in most hymnals. There are 2 additional stanzas between the above stanzas 2 and 3:

The Church shall never perish!
Her dear Lord to defend,
To guide, sustain, and cherish,
Is with her to the end:
Though there be those who hate her,
And false sons in her pale,
Against both foe or traitor
She ever shall prevail.
-----------------------------
Though with a scornful wonder
Men see her sore oppressed,
By schisms rent asunder,
By heresies distressed:
Yet saints their watch are keeping,
Their cry goes up, “How long?”
And soon the night of weeping
Shall be the morn of song!
-------------------------------------------------

The 4th stanza above is the combination of the 1st halves of the 2 last original stanzas:

Yet she on earth hath union
With God the Three in One,
And mystic sweet communion
With those whose rest is won,
With all her sons and daughters
Who, by the Master’s hand
Led through the deathly waters,
Repose in Eden land.
--------------------------------------
O happy ones and holy!
Lord, give us grace that we
Like them, the meek and lowly,
On high may dwell with Thee:
There, past the border mountains,
Where in sweet vales the Bride
With Thee by living fountains
Forever shall abide!

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Joyful

Lagos, Nigeria

Jul 5, 2013

This has been my most inspiration, the hope I held on to and my everlasting faith. This song always bring me closer in fellowship with the Trinity divine. Thanks so much for this effort. God bless.

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Anne

Louisville, KY, United States

Jun 10, 2013

Thank you for this site.

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Lee Parrott

Georgia, United States

May 17, 2013

Amazingly beautiful and true, praise our God!

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Okiemute

Lagos, Nigeria

Apr 17, 2013

Beautiful hymn.

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