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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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The chief Cornerstone Thou art, Lord

The Church Her Foundation

English834
1
The chief Cornerstone Thou art, Lord,
Jewish builders did despise;
God by resurrection placed Thee,
Thou art precious in His eyes.
Through Thee we receive salvation,
And, together built by Thee,
Jews and Gentiles are Thy dwelling,
One new man, in harmony.
2
Thou too art the smitten Rock, Lord,
That man’s thirst by Thee be filled,
That frail man may stand upon Thee,
But e’en more, God’s house to build.
The Foundation Stone in Zion,
Tested and secure, Thou art;
And the Rock, the Church supporting,
Her foundation to impart.
3
On Thyself the Church is builded,
And though many storms assail,
Still it stands erect, for ’gainst it
Gates of hell cannot prevail.
Thine authority possessing,
It doth bind and loose in Thee,
Bringing men into Thy kingdom,
Satan’s captives setting free.
4
Living Stone of life art Thou, Lord,
Precious, chosen thus to be;
Living stones Thou too hast made us,
One in character with Thee.
Built together as a temple
That our God may dwell therein,
Thus we are a holy priesthood,
Offering sacrifice to Him.
5
Lord, Thou art the Son of David
That God’s temple Thou may build;
King and Priest Thou art together,
That Thy calling be fulfilled.
As the King, for God Thou rulest,
Making men submit to Him;
As the Priest before God’s presence,
Bringing men to enter in.
6
Thine authority doth issue
From the throne to render peace;
Fellowship is in the river
To supply and give increase.
When these, balanced, go together,
Then God’s purpose is fulfilled;
King and Priest in Thee combining,
Thou God’s dwelling place dost build.
7
Thou art God, yet flesh becamest,
God with man in Thee doth dwell;
Thou, the Temple for His glory,
God in Thee Himself doth tell.
Thus the Church too is the mingling
Into one of God and man;
So it is with every member
For the building of God’s plan.
8
Thou, the everlasting Dwelling,
In all ages art our home;
We in Thee enjoy protection,
Living in Thyself alone.
Thou our Sanctuary art, Lord,
We and God abide in Thee;
Thou, God’s presence art within us,
Where we worship ceaselessly.
9
Cornerstone, Foundation, Topstone,
Rock, and Church, and Living Stone,
Dwelling-place, and Sanctuary,
Builder too art Thou, we own.
Praise we give for what Thou art, Lord,
As Thy wondrousness we see!
Grant that we may be built up, Lord,
As the living stones in Thee.

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Roger Russell

Charlotte, NC, United States

Jun 10, 2023

What a mercy to be brought by the Lord to see Him in this great mystery.

“ Cornerstone, Foundation, Topstone,
Rock, and Church, and Living Stone,
Dwelling-place, and Sanctuary,
Builder too art Thou, we own.
Praise we give for what Thou art Lord,
As Thy wondrousness we see!
Grant that we may be built up, Lord,
As the living stones in Thee. ”

How amazing that Christ, in addition to being so many wonderful things, is the Church also.

He is the Reality.

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Heidi

Murfreesboro, Tennessee, United States

Jul 27, 2021

What an encouragement and a great truth! Praise the Lord!

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Alzira Rosa

Teresópolis, Rio De Janeiro, Brazil

Apr 6, 2019

Maravilhoso site gostei muito!

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D.H.

Cheney, WA, United States

Dec 15, 2018

This week I read this paragraph out of Life Study of the Psalms p. 439 by Witness Lee: “We come to the hardest point in the Bible— Christ as the cornerstone. Who would think that Christ would be the cornerstone? Prior to the Psalms there is not a verse which speaks of Christ as the cornerstone. Then, all of a sudden, Psalm 118: 22 says, “The stone which the builders rejected / Has become the head of the corner. ”

Then I sang this hymn and realized what a wonderful revelation we have in the Bible of Christ being the chief cornerstone and we, His believers, also being living stones for God’s building!

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