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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I have been through the valley of sorrow and weeping

Comfort in Trials By Gain from Suffering

English728
1
I have been through the valley of sorrow and weeping,
The valley of trouble and pain;
But the “God of all comfort,” the “God of all comfort,”
Was with me to hold and sustain.
2
As the earth needs the clouds and the rain with the sunshine,
Our souls need both sorrow and joy,
So He places us oft in the fire of affliction
The dross from the gold to destroy.
3
When He leads thru the valleys of trouble and sorrow,
His mercy and love there we trace;
For the trials and sorrows He sends us in wisdom
Are part of His lessons in grace.
4
Yet how often we shrink from the purging and pruning,
Forgetting the Husbandman knows
That the deeper and closer the cutting and paring,
The richer the cluster that grows.
5
O how well does He know that afflictions are needed;
He has a wise purpose in view,
And within the dark valley He whispers to comfort,
“Hereafter thou’lt know what I do.”
6
As we travel the pathway thru life’s shadowed valleys,
Fresh springs of His love ever rise;
And we learn that our troubles, our sorrows and losses,
Are blessings just sent in disguise.
7
So we’ll follow Him faithfully where’er He leadeth,
The pathway be dreary or bright;
For we’ve proved that our God is the “God of all comfort,
The God who gives songs in the night.

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Maria L

Fremont, California, United States

Apr 27, 2024

God comforts us in our affliction. In order for us to comfort others we need to experience God's conforting in us.

If we have never passed through afflictions and therefore never experienced God’s comforting, we will never be able to genuinely comfort others who are in their affliction.

Thank You, Lord Jesus, for being the priceless treasure in our earthen vessel. We take You as the divine source of the supply for the Christian life. We do not ask for more suffering or discouragement – we only ask for our being to be open to You in all the situations so that we may drink Christ as the living water and live the resurrection life under the killing of the cross. May the living water flow in our being as we pass through valleys, and may there be a way for this living water to be imparted into others also through us!

We love you Lord Jesus ❤️ !!!

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Rev. Sky Starr

Toronto, Ontario, Canada

Mar 2, 2020

Grateful to find music for this very important hymn for Christians who are grieving.

As a minister and therapist, responding to gun violence trauma, and other griefs, Christians who are going through deep grief and trauma will definitely find comfort in Anne Flint's poem fitly put to music.

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Jacky Thompson

Enfield, United Kingdom

Aug 22, 2015

Lovely hymn, another one we would sing in the working men's mission. My granddad was preacher there when we were young.

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Steve Miller

Detroit, MI, United States

Jul 3, 2014

This hymn (with "Say to this mountain", "Utterly abandoned", & "When is the time to trust") appears as a poem in the daily devotional book "Streams in the Desert, compiled by Mrs. Charles E. Cowman. Charles E. Cowman was the founder of The Oriental Missionary Society. He and his wife went to Japan and Korea as missionaries without the support of a mission board or denominational backing. Mrs. Cowman first published this devotional book in 1925 after experiencing the hardship of caring for her husband during his 6 years of illness. This book is especially meant for those who are going through trials. It is a compilation of extracts of messages and poems by such people as F. B. Meyer, Andrew Murray, A. B. Simpson, C. H. Spurgeon, Zinzendorf, M. E. Barber, Annie Johnson Flint, and many others. "Streams in the Desert" was published in 12 foreign languages; 3 million copies were printed in English alone. No author or source is given for this hymn (nor the 3 others above). - Songs of the Spirit by Martin

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L Baughan

Merrill, WI, United States

Apr 19, 2012

I found a verse of this written inside the cover of my departed grandmother's worn Bible. I'd never heard this song before discovering it here. How I long for a church that still sings these old hymns. They touch, mend and encourage my heart like no others.

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Anna Finley

Brooksville, Florida, United States

Mar 17, 2012

It's so meaningful to me....and, I was just reading it in Streams in the Desert and was trying to find out more about it...like who wrote it....I didn't realize it was a hymn...decided to search the internet to see if I could find out more about the poem...

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Allen Carnes

Pensacola, FL, United States

Feb 9, 2012

Tremendously Scriptural hymn I've never heard of before (to the best of my knowledge). Is there any info on it's Title--OR if in is in any of the traditional Christian hymnals??

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Penny Hicks

Staten Island, N.Y., United States

Dec 16, 2011

I love this song. It is very inspiring and brought me to tears.

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