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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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English716
1
Begone, unbelief,
My Savior is near,
And for my relief
Will surely appear;
By prayer let me wrestle,
And He will perform;
With Christ in the vessel,
I smile at the storm.
2
Though dark be my way,
Since He is my Guide,
’Tis mine to obey,
’Tis His to provide;
Though cisterns be broken,
And creatures all fail,
The word He hath spoken
Shall surely prevail.
3
His love, in time past,
Forbids me to think
He’ll leave me at last
In trouble to sink:
Each sweet Ebenezer
I have in review
Confirms His good pleasure
To help me quite through.
4
Why should I complain
Of want or distress,
Temptation or pain?
He told me no less;
The heirs of salvation,
I know from His Word,
Through much tribulation
Must follow their Lord.
5
How bitter that cup
No heart can conceive,
Which He drank quite up,
That sinners might live!
His way was much rougher
And darker than mine;
Did Christ, my Lord, suffer,
And shall I repine?
6
Since all that I meet
Shall work for my good,
The bitter is sweet,
The medicine, food;
Though painful at present,
’Twill cease before long,
And then, oh, how pleasant
The conqueror’s song!

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Lois Van Meter

Odessa, Texas, United States

Jan 27, 2021

I love this song

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Anonymous

Nov 4, 2020

What a beautiful song!

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Ayinde Akinsola

Surulere, Lagos, Nigeria

Oct 19, 2020

I was in a mess on an office assignment and I lost my sleep & peace for like two weeks.

I was mandated to buy a Toyota Highlander Jeep for my MD from USA and handle the clearing. The Jeep got to Lagos but the Clearing Agent couldn't find it at Tincan to move out. At much efforts & Prayer, it seems I'm in the water in the office. We later found out the Jeep was transfered to a Bonded warehouse at a request by an unknown person.

By the Third week, I had a dream of seeing Dr. Daniel Kolawole Olukoya (MFM - G. O) & he sang the song twice then I sang the third time till I opened my eyes in the mid night - Note, I don't know the wordens of the first stanza in real life but I woke up singing it perfectly. I continue singing it everywhere I moved that day

At exactly 1:00pm I received a call from the Agent that I should come & collect the Jeep.

I have make it my song any moment I remember now.

Praise God.

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Mary

United States

Jul 7, 2020

Praise the Lord!
All that we meet shall work for our good!
The bitter is sweet, The medicine, food;
Though painful at present,
’Twill cease before long,
And then, oh, how pleasant
The conqueror’s song
Amen!

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Ezekiel Ussoro

Lagos, Victoria Island, Nigeria

Jun 8, 2020

A song for the downtrodden... each sweet Ebenezer I have in review... Thanks so much Lord Jesus always encouraging me when I doubt possibility of recovery

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Saj

Joensuu, Finland

May 13, 2019

#BegoneUnbelief ..... 'tis mine to obey... 'tis His to provide! nothing more to say

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Allen Palama

San Marcos, TX, United States

Feb 22, 2019

From the record of Matthew 11 we may conclude that our Lord is One who is doubted, blasphemed, and rejected. Now what would you do if, in your life and work, you too met with such an unfortunate chain of events perpetrated by the very people with whom you are associated? How could you help but be heartbroken and discouraged, judging that all is lost. Yet not so with our Lord. The Bible reports His attitude at that moment as being this:

“At that season Jesus answered and said, I thank thee, O Father, Lord of heaven and earth, that thou didst hide these things from the wise and understanding, and didst reveal them unto babes: yea, Father, for so it was well-pleasing in thy sight. ” “At that season” means at that particular moment, which is to say, that in the very environment in which He is so doubted, so blasphemed, and so rejected, our Lord is able to pray: “I thank thee, Father, Lord of heaven and earth. ” There is no bitterness nor sorrow in His heart. He neither frets nor becomes angered. How about you and me, though? Could you and I still thank God even though we are being doubted, slandered, and rejected without cause? Here is a very deep lesson indeed: that we must thank God not only when we obtain something, or when our work prospers, or when we are being admired by many; we must learn to thank Him also when we are doubted, slandered, and rejected without cause. Can you and I thank Him under such an adverse situation? (Practical Issues of This Life, Watchman Nee)

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Biodun Adeyemo

Omuooke, Ekiti, Nigeria

Jan 19, 2019

The lines that make this song a favourite
His Love In Time Past
Forbids Me To Think
He'll Leave At Last
In Trouble To Sink
Each Sweet Ebenezer
I have In Review
Confirms His Good Pleasure
TO HELP ME AT LAST

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Makinin

Ablekuma, Accra, Ghana

Jan 15, 2019

Through this year 2019 this is my confession and anchor hymn; Begone unbelief. thank You Lord Jesus for everything.

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Oluremi

Lagos, Nigeria

Jan 8, 2019

I was listening to a message titled Suffering in a Christian by Roy Hession, when I heard Brother Roy quoting a verse from this well-loved hymn... a favourite of my late mum. I couldn't but search and sing it in meditation. And yes,

"Each sweet Ebenezer
  I have in review
Confirms His good pleasure
  To help me quite through."

Thank you, brethren, for blessing the Body of Christ with this hymn site!

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