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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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English716
1
Begone, unbelief,
My Savior is near,
And for my relief
Will surely appear;
By prayer let me wrestle,
And He will perform;
With Christ in the vessel,
I smile at the storm.
2
Though dark be my way,
Since He is my Guide,
’Tis mine to obey,
’Tis His to provide;
Though cisterns be broken,
And creatures all fail,
The word He hath spoken
Shall surely prevail.
3
His love, in time past,
Forbids me to think
He’ll leave me at last
In trouble to sink:
Each sweet Ebenezer
I have in review
Confirms His good pleasure
To help me quite through.
4
Why should I complain
Of want or distress,
Temptation or pain?
He told me no less;
The heirs of salvation,
I know from His Word,
Through much tribulation
Must follow their Lord.
5
How bitter that cup
No heart can conceive,
Which He drank quite up,
That sinners might live!
His way was much rougher
And darker than mine;
Did Christ, my Lord, suffer,
And shall I repine?
6
Since all that I meet
Shall work for my good,
The bitter is sweet,
The medicine, food;
Though painful at present,
’Twill cease before long,
And then, oh, how pleasant
The conqueror’s song!

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Pearl Yvonne Mulrain

Princes Town, Trinidad And Tobago

Oct 14, 2017

Definitely a great hymn of comfort but verse 5 is left out of modern versions of the hymn. The reminder that 'His way was much darker and rougher than ours' should always be before us. According to my late mother one of the crowning verses of this hymn has been left out!

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Jide Omotosho

Keffi, Nasarawa State, Nigeria

Aug 24, 2017

The Yoruba translation of this hymn carries such a huge meaning and weight that you would prefer singing it in Yoruba language. There are some words in Yoruba language that lose their meaning and weight when translated to English. That's why when I want to pray alone, I switch to Yoruba. This hymn, I sing anytime I am plunged into unbelief by any situation. With Christ in the vessel, I smile at the storm.

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Henry Kissinger

Accra, Ghana

Jun 11, 2017

It's a hymn that gives us so much confidence and hope that irrespective of the challenges we face in life God still has better things for us.

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Coralee J. Smith

Nassau, Bahamas

Apr 18, 2017

Heard this song for the first time in the 1970s and it was and still is a blessing whenever I hear it! We do not sing it often enough! Thanks!

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Victor Amosun

Bromley, Orpington, United Kingdom

Dec 29, 2016

I find the hymn very inspiring and encouraging. It spurred me to pray with my prayer partner. Evergreen song.

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Anonymous

Oct 23, 2016

This is a very meaningful hymn.

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Adeyemo Rebecca

Lagos, Nigeria

Jul 3, 2016

This storm shall work well for good for me. It will pass, I will testify. Jesus, the master of the storm is with me.

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Dorcas T. Adesanya

London, England, United Kingdom

Mar 24, 2016

Praise the Lord! Everything we are going through will definitely work for our good in Jesus Name. Amen. What God has promised, He will bring it to pass. Keep on believing, God answers prayers. Thanks for uploading this song and God bless you all. Shalom!

.

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Christia

Oct 27, 2015

This song is so deep in my local dialect. Richer, and comforting to know that Our Lord Jesus Christ told us that we should be of good cheer; He has overcome the world. John 16:33.

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Gloria

MD, United States

Oct 2, 2015

The word He has spoken shall surely prevail. God is indeed a faithful God who watches over His Word to perform (Jer 1:12).

Hallelujah. Amen.

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