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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Take the name of Jesus with you

Comfort in Trials By the Lord’s Name

English670
1
Take the name of Jesus with you,
Child of sorrow and of woe;
It will joy and comfort give you,
Take it then where’er you go.
 
Precious name! Oh, how sweet!
Hope of earth and joy of heav’n;
Precious name! Oh, how sweet!
Hope of earth and joy of heav’n.
2
Take the name of Jesus ever,
As a shield from every snare.
If temptations ’round you gather,
Breathe that holy name in prayer.
3
Oh, the precious name of Jesus,
How it thrills our souls with joy;
All the favor of the Father
In this name we may enjoy.
4
At the name of Jesus bowing,
Falling prostrate at His feet,
Claim His vict’ry over evil
And the enemy defeat.

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Dorcas T. Adesanya

London, England, United Kingdom

May 6, 2015

Praise God!!! What a precious name Jesus is. The deaf hears name of Jesus and start hearing, the dumb speaks, the blind see, the lame walk, the barren becomes fruitful, the sorrowful becomes joyful, the sinner becomes save, the saved soul becomes sanctified and the sanctified believers becomes filled with the Holy Ghost Power. Thank God for Jesus. Amen. Thanks for uploading this song and God bless you all.

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James DeLong

Mars Hill, North Carolina, United States

Apr 12, 2015

Verse 4 in our SDA Church Hymnal: King of kings in Heaven we'll crown Him

When our journey is complete.

This is true, but I like what it says here better: claim His victory over evil, and the enemy defeat.

Faith is the living power that passes through every barrier, overrides each obstacle, and plants its banner in the heart of the enemies' camp.

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Patty Scott

Baltimore, MD, United States

Mar 12, 2015

After my bible study lately, this song continues to permeate my spirit. I feel the spirit ushering me to sing it. Maybe it's just familiar because in my home church after bible study the woman always sang this song, nevertheless it brings me so much joy! Praise God...Amen

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Glenis

Lauderhill, Florida, United States

Nov 16, 2014

Fond memories of my parents and childhood. The name of Jesus...our strength, life, all... hope for today and tomorrow. I love Him!

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Juma Nayabagabo

Bujumbura, Ngozi, Burundi

Nov 14, 2014

I recomend and dedicate this song to all those who left Islam like me and those who shortly joined Christ's way. God bless you all.

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Florence Ijagbone

Ibadan, Oyo, Nigeria

Oct 31, 2014

The name of Jesus is the easiest weapon to carry with you in the face of battle, no matter how fierce. Just keep breathing it in.

Glory be to God!

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Sylvia Karembo

Morden, Surrey, United Kingdom

Jul 24, 2014

For Lydia to write such a wonderful song she must have been filled with the Holy Spirit. It's so uplifting.

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Mary Thomas

Tiruvalla, Kerala, India

Jul 4, 2014

That Precious Name, my Defense, my Treasure, my Joy.......My Everything. Praise His Blessed Name.

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Lauren Bassard

Castro Valley, CA, United States

Mar 18, 2014

I woke up with this hymn on my heart although I had not heard it for years. The Lord knew it was just what I needed today!

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Steve Miller

Detroit, MI, United States

Mar 12, 2014

Born in Petersburg, NY, Lydia Baxter was saved as a young person. She and her sister later established a Baptist church in their hometown. After marriage, she moved to New York City. Although bedridden for much of her life, her home was open to preachers, evangelists, and Christian workers, who came to her for inspiration and advice. This hymn was written 4 years before her death in New York City. - Songs of the Spirit by Martin

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The original 3rd and 4th stanzas are a little different:
3 O the precious Name of Jesus!
How it thrills our souls with joy,
When His loving arms receive us,
And His songs our tongues employ!
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4 At the Name of Jesus bowing,
Falling prostrate at His feet,
King of kings in Heav’n we’ll crown Him,
When our journey is complete.

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