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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Take the name of Jesus with you

Comfort in Trials By the Lord’s Name

English670
1
Take the name of Jesus with you,
Child of sorrow and of woe;
It will joy and comfort give you,
Take it then where’er you go.
 
Precious name! Oh, how sweet!
Hope of earth and joy of heav’n;
Precious name! Oh, how sweet!
Hope of earth and joy of heav’n.
2
Take the name of Jesus ever,
As a shield from every snare.
If temptations ’round you gather,
Breathe that holy name in prayer.
3
Oh, the precious name of Jesus,
How it thrills our souls with joy;
All the favor of the Father
In this name we may enjoy.
4
At the name of Jesus bowing,
Falling prostrate at His feet,
Claim His vict’ry over evil
And the enemy defeat.

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Rahila K.Barnabas

Wolverhampton, Birmingham, United Kingdom

Oct 1, 2019

I came to Wolverhampton on a visit and during prayers with my beloved daughter, this song ministered to us on the limitless powers in the precious name of Jesus. Always take the name of Jesus with you and you will never regret.

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Mabel

Owerri, Imo, Nigeria

Sep 3, 2019

The name of Jesus is my shield and my buckler, my ever present help in times of trouble.

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Kwame

Accra, Ghana

Apr 3, 2019

soo inspiring.. I always take the name of Jesus with him and things are working for me. To God be the glory.

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Jerry H

Bentonville, Arkansas, United States

Mar 30, 2019

At 80, I can't always remember the names of Hymns, but I thought of the words, "precious name" an am so thankful. Those words came in mediation. It is such a blessing to read the WORD and "sing" to myself.

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Eleazar Enyeazu

Owerri, Imo State, Nigeria

Feb 8, 2019

As I was having a time with God in days of personal prayer, and I was full of questions, asking, Where is that power that gave sight to Bartimeuas, the man that was born blind? Where is that power that restored to life the only son of the widow of Nain? Where is that power that the woman of issue of blood touched and declared "I am whole"? Where is that power that said to a woman with hunchback "woman thou art loosed"? Where is that power that silenced the storms, and the wind obeyed His voice? Where is the p...

Then I heard the voice of God said to me "THE POWER IS RAPPED IN THE NAME OF JESUS, TAKE IT TO WHEREVER YOU GO AND WHATEVER YOU DO, AND YOU SHALL SEE THAT POWER YOU ARE ASKING FOR" The he took me to this hymn, and I will never stop taking this name everywhere I go.

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Joanne Krueger

Rochester, Minnesota, United States

Jan 21, 2019

I woke this morning singing this song.

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Mathew Bamidele

Ibadan, Oyo, Nigeria

Nov 27, 2018

An inspiring song. When it seems am lonely. I remembered this song, I took the hymnal and open to Take the name of Jesus with you. God used it for me to restore my joy. Hallelujah.

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Dale Primm

Munford, Tennessee, United States

Jun 8, 2018

My day goes so much better when I TAKE THE NAME OF JESUS WITH (me) EVERYWHERE (I) GO. JESUS is a precious name

He is so sweet.

Jesus is My Hope here on Earth. JESUS is my EXPECTATION my EXCITEMENT, anticipation of reaching HEAVEN.

He is all that THRILLS my Soul.

GLORY to His Name.

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Susan Owings

Columbus, Georgia, United States

Jun 2, 2018

I sit here tonight on my hospital bed and my husband is across the room safely sleeping. I am on the cancer floor and here praying not only for me but all my loved ones who see me and fear for my health, and also pray for all here sick this night. Many are young and have sweet young families and many may not know our Jesus. I have been singing the original words and also these new words. I do know in times of joy or times of sadness to just say his name or to sing it might be better and He will lighten our way. Praise His Holy Name. Jesus is alive and in this room with me and everywhere I go. Take His Name with you and feel His love surround you.

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John E Apeh

Anyigba, Kogi State, Nigeria

Apr 20, 2018

This hymn was my father's favourite during his lifetime. He became a Christian through the ministry of the Plymouth Brethren missionaries in Anyigba, Kofi State.

In the mid 1960s, while working at the farm, my father will be singing this hymn in Igala language published through the CMML Church. I would sing along with my father even though as a child I didn't know the full spiritual meaning until I became a Christian and subsequently called into the ministry of the Plymouth Brethren (CMML Church) in North Central Nigeria. I thank the Lord for sending missionaries who brought the gospel to my tribe. Through them, the Holy Bible and hymnbook were translated to my local language. Today we worship, sing and study God's Word. Praising the Lord as we sing about the wondrous love of Jesus Christ is a blessing. And we share the gospel, we take the name of Jesus Christ to those who have not heard of Him inword and songs like this hymn. Hallelujah!

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