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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Take the name of Jesus with you

Comfort in Trials By the Lord’s Name

English670
1
Take the name of Jesus with you,
Child of sorrow and of woe;
It will joy and comfort give you,
Take it then where’er you go.
 
Precious name! Oh, how sweet!
Hope of earth and joy of heav’n;
Precious name! Oh, how sweet!
Hope of earth and joy of heav’n.
2
Take the name of Jesus ever,
As a shield from every snare.
If temptations ’round you gather,
Breathe that holy name in prayer.
3
Oh, the precious name of Jesus,
How it thrills our souls with joy;
All the favor of the Father
In this name we may enjoy.
4
At the name of Jesus bowing,
Falling prostrate at His feet,
Claim His vict’ry over evil
And the enemy defeat.

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Kemi Odoh

Kuje, FCT, Nigeria

Jun 28, 2026

At the name of JESUS bowing, falling prostrate at HIS Feet, KING of kings in Heaven we'll crown HIM, when our journey is complete in JESUS Mighty Name... Amen!

Glad to be reminded of the power in the name of JESUS through this hymn at this point that I needed HIM most

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Teekay

May 10, 2026

Amazing hymn 🌹

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Vernis Bodden

Cayman Islands

Aug 18, 2025

Jesus ("Yahweh saves"), is made unto me, by the grace of God, the: Power of God, Wisdom of God, Righteousness of God, Sanctification of God, Redemption of God. I'll continue to glory in the Lord Jesus Christ, taking His name with me everywhere (1Co1:24, 30-31).

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Anonymous

Apr 26, 2025

Oh the Name of Jesus

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Ana Lara

Storrs, Connecticut, United States

Mar 14, 2025

Lydia O. Baxter (1809–1874), was a bedridden invalid for much of her life, but that didn’t keep her from leading a life full of service and encouragement. She and her sister participated in establishing the Baptist Church in Petersburg, New York. After her marriage, she and her husband moved to New York City, where her home became known as a gathering place for preachers, evangelists, and Christian workers who would come to her for inspiration and advice. Even if she was bedridden, folks who paid a visit to her sick-room were not so much a comfort to her as they were encouraged by her in their own lives.

Mrs. Baxter studied the Bible carefully and especially enjoyed learning the meaning of the names mentioned in the Scriptures. Of all the biblical names she knew, the name of Jesus meant the most to her. Whenever she was questioned about her cheery disposition, despite her physical limitations, she would reply, “I have a very special armor. I have the name of Jesus. When the tempter tries to make me blue or despondent, I mention the name of Jesus, and he can’t get through to me anymore. ” The hymn, “Take the Name of Jesus with You, ” was most likely written by her in her sick-bed four years before her death in 1874. William H. Doane composed the music for this text shortly after Mrs. Baxter wrote it, and the hymn was first published in the hymnal, “Pure Gold, ” in 1871. The hymn was frequently used during the Moody-Sankey evangelistic campaigns, toward the end of the nineteenth century. Although she wrote a number of other gospel hymns, this is the only one that is still in wide use today. It has often been used in church services as a closing hymn since it provides an important reminder to go out each day, taking His name while sharing with others what Jesus has done for us. In a sense the hymn is a reality of the personal testimony of Lidia Baxter‘s experiences lifting high the name of Jesus throughout her life.

Lewis Codington

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Tina

Jan 31, 2025

I love you Jesus forever more. You are my hope my healer and my everything in you I have my refuge... Thank you My Lord , my savior and everything

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Abiola Abosede Akinbola

Ibadan, Nigeria

Oct 28, 2024

I woke up in the middle of the night, unable to sleep and trying to pray and read the word of God, when the Holy Spirit dropped this hymn that I have learnt from my childhood but forgotten over the years to my mind. Thank you Jesus, for the power in your name.

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Anonymous

Oct 7, 2024

God is eminent in the words of this song.... thank you Jesus for giving us access to that name.... JESUS!!!

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Althea

Birmingham, United Kingdom

Sep 11, 2024

One of the most beautiful hymns. Every verse is a personal connection with God.

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Enow Aaron Agbor

Yaounde, Center, Cameroon

Feb 25, 2024

I'm always blessed when singing this hymn. Since my childhood in the Apostolic Church Cameroon at the Obili assembly we have been singing this hymn with a martial beat.

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