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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Fear not, little flock, from the cross to the throne

Encouragement For Trusting the Lord

English649
1
Fear not, little flock, from the cross to the throne,
From death into life He went for His own;
All power in earth, all power above,
Is given to Him for the flock of His love.
 
Only believe, only believe;
All things are possible, only believe;
Only believe, only believe;
All things are possible, only believe.
2
Fear not, little flock, He goeth ahead,
Your Shepherd selecteth the path you must tread;
The waters of Marah He’ll sweeten for thee,
He drank all the bitter in Gethsemane.
3
Fear not, little flock, whatever your lot,
He enters all rooms, “the doors being shut”
He never forsakes, He never is gone,
So count on His presence in darkness and dawn.

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Anonymous

Dec 29, 2023

I love this song

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Ngamariek Cleopa Ketha

Kampala, West Nile, Uganda

Nov 6, 2023

God bless all people who like posting such kind of thing
Amen
I love it so much

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Maurice Ward

Irving, Texas, United States

May 27, 2023

If I can do nothing else, the one thing that I can do is to believe. Jesus, Lord, I believe you.

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Steve Miller

Detroit, Michigan, United States

Feb 5, 2022

This song combines 2 verses in Mark:

Mark 5:36 Jesus said to the ruler of the synagogue, “Do not fear, only believe.

9:23 And Jesus said to him, “ ‘If you can’! All things are possible for one who believes. ”

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Susan Sumner

Mesa, AZ, United States

Feb 3, 2021

I just read in a book about a mission to New Guinea that were captured by the Japanese and her husband had died in a concentration camp. She was to be killed but the words of the last verse came to mind to give her hope and she did survive.

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Leah

Tulalip, WA, United States

Jul 2, 2020

I just read about Darlene Rose and wanted to learn this song. Thanks for posting it.

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Toni

Springfield, Ohio, United States

May 5, 2020

May God bless you for having this song available to touch hearts. It means so much to me as a stepping stone when all hope is lost... I cling to this song in my heart from years ago and when I found it, I had to comment. Wishing you much peace, love and blessings!

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Brenda

Fort Lauderdale, Florida, United States

Apr 17, 2020

This song has so much meaning during this 2020 Easter season in the midst of this global covid-19 pandemic when everyone is social distancing with so many questions and so few answers...."He never forsakes, He never is gone, so count on His presence in darkness and dawn....... only believe, only believe."

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Ana Lara

Tolland, Connecticut, United States

Jan 5, 2018

Paul Rader was born in Denver Colorado in 1879 and died in 1938. He was a fellow laborer with AB Simpson who founded the Christian Missionary Alliance. After Simpson’s death, Rader became its second president. Paul was saved early in his childhood and even sang as a soloist in his father’s Methodist congregation. He went on to college and afterwards finished a post graduate program in Harvard. At this time he entered into post-liberalism which led him into a business partnership.

One day while walking down New York City Times Square, God spoke to him through an illuminated sign. He rented a room and fell on his face before the Lord That day Rader’s life changed. He began a lifetime of service first by pastoring the Congregational Church in Pittsburgh followed by the Christian Missionary Alliance Tabernacle, the Moody Memorial Church in Chicago, the Chicago Gospel Tabernacle and the Gospel Temple In Indiana. Rader was best known however, for his radio broadcasts which were heard all over Chicago and his influence over hundreds of young Christian men to enter the ministry.

This hymn which Paul wrote and composed is one of many hymns he also wrote that are part of Christian hymnals today.

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Steve Miller

Detroit, Michigan, Uganda

Oct 20, 2017

Amen, brother Paul. We need these songs in our heart to be able to sing them by heart, so we can sing them joyfully when trials come like Paul and Silas did when their feet were in the stocks and their backs cut by being whipped in Acts 16.

And even more so with the great tribulation coming, and who knows for sure whether we will be here on earth or not.

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