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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Death cannot hold the resurrection life

The Resurrection Life Christ Himself

English639
1
Death cannot hold the resurrection life,
The life of God eternal manifest;
’Tis uncreated, indestructible,
’Tis Christ Himself, unconqu’rable, expressed.
2
Death cannot hold the resurrection life,
Though all its force against it may combine;
Death only gives it opportunity
To show the boundless pow’r of life divine.
3
Death cannot hold the resurrection life,
The more interred, the more it multiplies;
All kinds of suff’ring only help it grow
And fruits of life abundant realize.
4
Death cannot hold the resurrection life,
Thru every block and barrier it breaks;
Conqu’ring the pow’r of darkness and of hell,
It swallows death and victory partakes.
5
Death cannot hold the resurrection life,
All of God’s fullness it will manifest;
God’s righteousness and holiness it yields,
His glorious image by it is expressed.
6
Oh, may I know this resurrection life,
In every kind of death its pow’r outpoured,
In my experience ever realize
This life is nought but Christ my living Lord.

Copyright Living Stream Ministry. Used by permission.

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Phebe Hii

Miri, Malaysia

Nov 12, 2023

Lived again [in Revelation 2:8] refers to resurrection. The Lord suffered death and lived again. He entered into death, but death could not hold Him (Acts 2:24) because He is the resurrection (John 11:25). The suffering church needs to know Him as such a One also, so that she can endure any kind of suffering. However severe the suffering, the church will still be alive. The resurrection life of Christ can endure death. (Rev. 2:8, footnote 3)

Hence, God is not only the living God but also the God of resurrection. He died, but He overcame death. Death fought the Lord with all its might, but it could not conquer Him. The principle of resurrection is overcoming death and emerging from death. The God of resurrection has been tested and proven to possess an unshakable life. (CWWL, 1957, vol. 3, “The Living God and the God of Resurrection”, pp. 12-13)

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Vanessa

Tampa, FL, United States

Sep 17, 2023

Praise the Lord! Thank you for your resurrection life!

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Muddasu Obulesu

Rudharavaram, Andhra Pradesh, India

Jun 5, 2023

Yes

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Selene Leyva Hernandez

Fort Stockton, TX, United States

Apr 23, 2023

Lord Jesus may I realize and experience You!!

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Cody Enderli

Beaumont, TX, United States

Jul 23, 2022

God righteousness and holiness it yields!

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Pey-Jing Li Mehrinfar

San Marcos, TX, United States

Mar 2, 2022

Thank you, Lord for your resurrection life! You turn death into life. Shame Your enemy during these dark times with Your light and life. We love you, Lord Jesus! You are our resurrection life throughout all our lives.

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Jim

Mansfield, Ohio, United States

Feb 17, 2021

I am Bi-polar, recently the Lord brought me out of a serious clinical depression. From this I really know the resurrection life and know this power is for the church. This is what Christ experienced on the cross! Now we can experience it now! This power He gave us to change us into His image! Not to rule outwardly but for Him to rule inwardly! The church is in this resurrection life!

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Sister Tang

Oct 20, 2019

Death can’t hold the resurrection life!

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Martina

Bielefeld, Germany

Sep 1, 2019

We sang this hymn at the burial of our daughter.

And we can testify: Death cannot hold the resurrection life.

Day by day we can receive grace as open vessels to live through and by this life.

We are just learners and receivers.

Praise Him!

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Thanh Le

San Francisco, California, United States

Jul 1, 2019

The resurrection of Christ is the life pulse and lifeline of our Christian living. Amen, hallelujah!

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