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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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If I’d know Christ’s risen power

The Way of the Cross The Way of Life

English631
1
If I’d know Christ’s risen power.
I must ever love the Cross;
Life from death alone arises;
There’s no gain except by loss.
 
If no death, no life,
If no death, no life;
Life from death alone arises;
If no death, no life.
2
If I’d have Christ formed within me,
I must breathe my final breath,
Live within the Cross’s shadow,
Put my soul-life e’er to death.
3
If God thru th’ Eternal Spirit
Nail me ever with the Lord;
Only then as death is working
Will His life thru me be poured.

Copyright Living Stream Ministry. Used by permission.

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Jim Smith

Mansfield, Ohio, United States

Oct 13, 2026

This is the most powerful hymn Brother Lee (that is what we called him) ever wrote. It is the highest truth. We must preach Christ and Christ crucified. That is our pattern. That is the secret of our Christian life.

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C

London, United Kingdom

Aug 26, 2026

Amen amen - the all inclusive , unsearchable, extensive, unlimited Christ, gain us, gain me.

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Elisha Shasanmi

Aberdeen, Washington, United States

Nov 23, 2023

I was sinning and doing great wickednesses for years but now I admit the truth.

JESUS THE HOLY SPIRIT YEHOVAH IS THE SUPREME LORD GOD!

Amen.

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Br. Jeff Hall

Church In Worcester, Massachusetts, United States

Mar 27, 2022

Termination of the Natural life must occur for us to enter into and live out a resurrected life! This is a requirement to be an overcomer. Jesus is our example, Take His Way and don't look back..... See you in the New Jerusalem!

With Christ all things are possible, become Him in Life and Nature................

I Love you, Saints

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Sister Vali Ruth

Tirane, Albania

Aug 18, 2021

If no death, no life,
If no death, no life;
Life from death alone arises;
If no death, no life.

Read more
Ac Haway

Lucena City, Quezon, Philippines

Mar 7, 2021

Stanza 1:
If I'd know Christ's risen power,
I must ever love the Cross;

Phil 3:10 "To know Him and the power of His resurrection and the fellowship of His sufferings, being conformed to His death"

Phil 3:10 ft 2 <power>

The power of Christ’s resurrection is His resurrection life, which raised Him from the dead (Eph. 1:19-20)... To know, to experience, this power requires identification with Christ’s death and conformity to it. Death is the base of resurrection. To experience the power of Christ’s resurrection, we need to live a crucified life, as He did.

-----

Hallelujah! If no death no life!

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Jovic L.

Lucena City, Quezon, Philippines

Mar 4, 2021

2nd Line in the 1st Stanza says - I must ever love the Cross;

If we know the power of resurrection, we will surely be delighted to be in the mold of the cross and to be conformed to it. (The High Peak of the Vision and the Reality of the Body of Christ, chapter 4)

The Chinese translation of the second line reads, “I must ever love the mold of the cross. ” The mold of the cross is an expression created by us, but actually it is not, because it is based on what Paul says concerning our being conformed to the death of Christ. The Lord's death on the cross is an accomplished fact. Paul, after receiving this revelation, saw the application of the fact and therefore wrote the truth of being conformed to Christ's death in Philippians 3:10. Later, many saints, such as Madame Guyon, one of the inner-life people, A. B. Simpson, and Mrs. Penn-Lewis, all saw this truth and experienced this fact. In these years, since we have seen something of the Lord and have received from the saints who were before us, we have found out that there is the need to have a new vocabulary to express the truths that we have seen. (The Governing and Controlling Vision in the Bible, Chapter 5, Section 2)

Phi 3:10 - ... being conformed to His death,

footnote <conformed> - To take Christ’s death as the mold of one’s life. Paul lived a crucified life continually, a life under the cross, just as Christ did in His human living. Through such a life the resurrection power of Christ is experienced and expressed. The mold of Christ’s death refers to Christ’s experience of continually putting to death His human life that He might live by the life of God (John 6:57). Our life should be conformed to such a mold by our dying to our human life to live the divine life. Being conformed to the death of Christ is the condition for knowing and experiencing Him, the power of His resurrection, and the fellowship of His sufferings.

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Maeriehl R.

Lucena City, Quezon, Philippines

Mar 3, 2021

From the excerpts, I enjoyed that: "God's way of salvation is to terminate us by the cross of Christ and to resurrect us by His Spirit of life. This appears to be a cruel punishment, but actually it is a glorious deliverance. Based on the revelation of the whole Bible, we see clearly that living through dying is God's saving way." Oh, it is God's saving way! It is a glorious deliverance! I was refreshed that all our sufferings truly are for our own good (gaining more of Christ, fellowshipping more with Him, and gradually being conformed to His image). May we not misunderstand our God in His ways.

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Minjarez

El Monte

Jan 11, 2020

To live the God-man life, we need to receive the cross!

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Starets Maquiling

Davao City, Philippines

Nov 1, 2012

Lord Jesus, if we do not know the power of resurrection and do not live in resurrection, there is no way for us to die by ourselves! Lord, we must be full of the power of the Holy Spirit before we can receive the cross! Lord Jesus!

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