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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O God, our help in ages past

Experience of God As the Dwelling Place

English607
1
O God, our help in ages past,
Our hope for years to come,
Our shelter from the stormy blast,
And our eternal home.
2
Under the shadow of Thy throne
Thy saints have dwelt secure;
Sufficient is Thine arm alone,
And our defence is sure.
3
Before the hills in order stood,
Or earth received her frame,
From everlasting Thou art God,
To endless years the same.
4
A thousand ages in Thy sight
Are like an evening gone;
Short as the watch that ends the night
Before the rising sun.
5
Time, like an ever-rolling stream,
Bears all its sons away;
They fly forgotten, as a dream
Dies at the opening day.
6
O God, our help in ages past,
Our hope for years to come,
Be Thou our guard while life shall last,
And our eternal home.

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Kole

Abuja, Nigeria

Oct 15, 2017

While in church this morning this song gave me the assurance of everlasting help from God. While reading the word of the song I am assured that the help I got in the past will never cease as we move into the future.

Thank You Lord for the assurance of the future despite the uncertainty.

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Obi

Oct 13, 2017

As I was praising God the first line of this hymn came to my mind then decided to read the whole hymn, am grad I did, May His name be praise all time.

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Anonymous

Sep 29, 2017

Glorious....!!!! God bless.

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Flora Forbes

London, Ontario, Canada

Sep 17, 2017

I thought of this hymn while I am sitting in the park enjoying the beauty of God's awrsome creation! The words of the first few lines of this gloroous hymn came to mind and I wanted to read the words of the whole hymn. I thank the Lord for His great faithfulness to me for many years!

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Jeru

Jul 18, 2017

I thank You O Lord my God for being my Eternal Home. Draw Tariq close to You, Father so that he may experience the reality of Your Love in Jesus.

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Tariq

Reading, Berkshire, United Kingdom

Jul 12, 2017

We used to sing this hymn along with others in my school in Karachi, Pakistan in the fifties. We were a mixed bag of students from many countries, some refugees of the European wars, some local, some refugees from India and muslim; I was one of those. But whatever our religious background we loved to sing hymns and I still feel pleasure in this even though I now live in England and am a devout atheist. Another I enjoyed was "When I survey the wondrous cross". The words appealed to me not the supernatural content, i.e. the human element, the sense of loss or joy in our lives. I wish you all well even though I think you are deluded in seeking supernatural help in your lives. It is us who can help not air. But let us sing anyway.

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Bilhatu Dalyop Bot

Jos, Plateau, Nigeria

Jun 12, 2017

Indeed the Lord has been my help in ages past and He still my help today, I cannot but sing His praises and worship to His holy name. I cannot do a thing without Your help Lord. Am so grateful!

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Marvin H

AB, Canada

Jun 11, 2017

Seen some very disturbing children books at local library today celebrating sexual perversion and worried sick about the future of our nation... and my precious children raising them in such an evil culture. Are we not under God's judgement already when he lets people over to a debased mind? Needed a time of refreshing and comfort from God and found myself singing this hymn. Peace has since flooded my soul. What have we to fear? Greater is He that is in you, than he that is in the world. 1 John 4:4. Longing to be with Him in our eternal home together with my dear wife and little lambs.

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Kasam Lazarus Nteogwuile

Abuja, FCT, Nigeria

May 28, 2017

Indeed God has been my help in ages past (37yrs). My hope for many years to come. My shelter and my defense.

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Jeet

Tiruchchirapali, TN, United States

May 23, 2017

Superb for all times.

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