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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O God, our help in ages past

Experience of God As the Dwelling Place

English607
1
O God, our help in ages past,
Our hope for years to come,
Our shelter from the stormy blast,
And our eternal home.
2
Under the shadow of Thy throne
Thy saints have dwelt secure;
Sufficient is Thine arm alone,
And our defence is sure.
3
Before the hills in order stood,
Or earth received her frame,
From everlasting Thou art God,
To endless years the same.
4
A thousand ages in Thy sight
Are like an evening gone;
Short as the watch that ends the night
Before the rising sun.
5
Time, like an ever-rolling stream,
Bears all its sons away;
They fly forgotten, as a dream
Dies at the opening day.
6
O God, our help in ages past,
Our hope for years to come,
Be Thou our guard while life shall last,
And our eternal home.

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Akinsola Akinniran

Randallstown, MD, United States

Jan 2, 2021

The daily challenges of the past year have had a cumulative effect on many of us leaving many people both weary and wary. We are weary from the upsetting news that filled our screens every day and night for most of the last year. We are wary because we don't know what is ahead of us. But the good news is this, God is still in control.

This song ushers me into 2021 with the strength of hope. O God, our help in ages past, Our hope for years to come,

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Alexander Bamidele

Abuja, FCT, Nigeria

Dec 31, 2020

God is our present help in times of need. 2021 is a year of quick work. God will be rewarding consistency, obedience, commitment and dedication. God bless us all.

God will remain our hope for years to come.

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David

Cape Town, South Africa

Dec 31, 2020

This song helps me in my devotion. Reminds me of the need and benefits of dependence on God. It reminds of me of the guaranteed future of born again Christians. Loving and serving God is just amazing.

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Samuel Elias Kolawole

Lagos, Nigeria

Dec 31, 2020

It's 31st December 2020. It's no mere coincidence that for a year as turbulent and peculiar as 2020 was, this particular hymnal was chosen for crossover service. God is our hope for years to come and our eternal hope. May his name be glorified forevermore🙏

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Dr and Mrs. Femi O

Ifako, Gbagada, Lagos, Nigeria

Dec 15, 2020

We woke up at midnight to praise the Lord for 30 blissful years of marriage and this hymn came to mind as so relevant to our journey of three decades. It has been the Lord through thick and thin and we trust Him for the years ahead. We would like to condemn the evil we observed in that many hymns have been changed from the original lyrics; the sad thing is that the changes are so fundamental/material because they touch on basic bible doctrines. It took us knowing the original lyrics to find this one with the complete stanza and original lyrics. Others removed saints from the second stanza and removed two other stanza that talk about God as ageless and timeless. Indeed these are the end times. People will have a form of Godliness but deny the power thereof! 2 Timothy 3 vs 5

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Abolanle Rotimi

WAEC Axis, Yaba Fadeyi, Lagos, Lagos State, Nigeria

Nov 22, 2020

I remember the goodness of God in my as I turned another year today in thanksgiving, this song came my mind. It's been the Lord all the way

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Regina Okere

Magboro, Ogun State, Nigeria

Nov 20, 2020

This hymn came to my mind during my devotion this morning. Looking back I could see how helpful the Lord had been to me and my family. Father Lord I will continue to cast all my burdens on you for you cares. Thank you Jesus

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Steve

United States

Aug 22, 2020

This hymn may have had its inspiration from Psalm 90. It reminds us of the brevity of life in comparison to eternity. Let's make our lives count today.

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Charles Ailemen

Lagos, Nigeria

Jul 5, 2020

one of my favorite hyms. like to know how the hymn came about

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Henrich Brockhaus

Bellingham, WA, United States

Jul 1, 2020

Fo some biographical details on Isaac Watts go to Ana Lara March 23, 2020 and Steve Miller December 14, 2017

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