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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Holy, Holy, Holy, Lord God Almighty

Blessing of the Trinity His Worship

English6
1
Holy, Holy, Holy, Lord God Almighty!
Unto everlasting days our song shall rise to Thee;
Holy, Holy, Holy, Merciful and Mighty!
God in Three Persons, blessed Trinity!
2
Holy, Holy, Holy! all the saints adore Thee;
Heaven’s elders cast their crowns down by the glassy sea;
Cherubim and seraphim worship too before Thee,
Who wert, and art, and evermore shalt be.
3
Holy, Holy, Holy! though the darkness hide Thee,
Though the eye of sinful man Thy glory may not see,
Only Thou art holy, there is none beside Thee
Perfect in power, in love, and purity.

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Martha Lee Head

Suffolk, Virginia, United States

Sep 20, 2019

This is my father's favorite hymn and comes to my mind often.

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Onyeka Norman

Kaduna, Nigeria

Aug 31, 2019

As we sing unto God Almighty may His blessings rain on us, Amen.

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Anonymous

Jun 21, 2019

With passion, remembering my past early stage of life. I claim my testimonial upgrade in Jesus name.

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Alhamdu Timothy

Jos, Plateau, Nigeria

May 2, 2019

Am blessed singing this song today, as I felt renewed knowing once again God is perfect in Power, Love and Purity. Jesus is everything the world would regret not having after it has all been said and done. Beloved let's put on our gospel shoes and save the world from this regret. I Love Jesus.

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Zacchaeus Baba Adeniji Emmanuel

Anchor University, Lagos, Nigeria

Jan 25, 2019

God is surely awesome and holy! Without holiness, no man shall see the Lord. Hebrews 12:14.

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Leigh Powell

United Kingdom

Apr 15, 2018

This hymn is sung to God in worship, and is taken both from Revelation (where the four and twenty elders cast their crowns before the throne of the Lamb of God, slain before the foundation of the world, AND Isaiah 6 where the 6 angels praised God.

In Isaiah 6 the saved sinner Isaiah was convicted of sin by the holiness of God. He had to hide parts of his body from the effects of the holiness of God, whilst the unfallen Angels need not hide any part of their beings as they are sinless .

The gospel is that The Lord Jesus was slain in our place, bearing our sins on the cross and was resurrected from the dead. If people repent and believe the gospel, they shall be born again, and only then shall they be able to sing this hymn in spirit and in truth (John 4).

One other hymn comes to mind at this point 'eternal light, eternal light how pure the soul must be.

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Margie

Nov 1, 2017

This song is featured in the Andy Griffith movie,”Angel in my pocket”. I watch that movie many times with my daughter. We happened to catch Andy on another rerun and my daughter said,”howy, howy mom!” I said ,”yes! you smarty girl.”

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Anonymous

Sep 15, 2016

Great song! Always good to blessed the name of God Almighty, because He's a wonderful and faithful God. Amen..

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Collins Ezebuihe

United States

Oct 21, 2014

Simply among the very best, and simply among the most familiar with Christians. Heaven must be thrilled.

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Steve Miller

Detroit, MI, United States

May 29, 2013

Reginald Heber was always trying to improve the music at the Anglican church he served in Hodnet, England. Though his superiors frowned on the use of anything but metrical psalms, Heber introduced hymns by Newton and Cowper and even wrote new hymns of his own. This one would impress Alfred, Lord Tennyson as the world's greatest hymn.

After serving 16 years as a parish priest in England, Heber accepted the call to become bishop of Calcutta, India.

The tune to which this hymn is sung is called "Nicaea", named after the church council that met in A.D. 325, which formulated the Nicene Creed and affirmed the doctrine of the Trinity. - Great Songs of Faith by Brown & Norton

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