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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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He leadeth me! O blessed thought

Experience of Christ Following Him

English585
1
He leadeth me! O blessed thought,
O words with heav’nly comfort fraught;
Whate’er I do, where’er I be,
Still ’tis Christ’s hand that leadeth me.
 
He leadeth me! He leadeth me!
By His own hand He leadeth me;
His faithful follower I would be,
For by His hand He leadeth me.
2
Sometimes ’mid scenes of deepest gloom,
Sometimes where Eden’s bowers bloom,
By waters still, o’er troubled sea,
Still ’tis His hand that leadeth me.
3
Lord, I would clasp Thy hand in mine,
Nor ever murmur or repine;
Content, whatever lot I see,
Since it is Thou that leadest me.
4
And when my task on earth is done,
When, by Thy grace, the vict’ry’s won,
E’en death’s cold wave I will not flee,
Since Thou in triumph leadest me.

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Ana Lara

Storrs, Connecticut, United States

Apr 29, 2021

Joseph Henry Gilmore, the writer of this hymn was born at Boston, on April 29, 1834. He became professor of Hebrew at Newton Theological Institute, and for some time held a Baptist Ministerial charge at Fisherville, New Hampshire, and at Rochester, New York.

“He leadeth me“ was written in 1862, at the close of the service which the author had conducted in the First Baptist Church of Philadelphia. Mr. Gilmore had taken as his theme the 23rd Psalm, especially emphasizing the blessedness of being led by God—of the mere fact of His leadership—altogether apart from the way in which He leads us, and what He is leading us to. Reaching the home of a friend with whom he was staying, Mr. Gilmore tells us is that as he pondered on the blessedness of the divine leadership of God, instinctively there came to him the impulse to write. “I took up my pencil, ” he says, “and wrote the hymn just as it stands today. ” He afterwards handed it to his wife, and thought no more about it. Praying that God might have a mission for the verses her husband had been inspired to write, Mrs. Gilmore sent a copy, without her husband’s knowledge, to a Christian periodical and there it first appeared in print.

It was then that the hymn came to the awareness of William B. Bradbury who composed for it the very appropriate tune, with which it has since been associated.

The hymn strikes a bright note of confidence throughout, and it’s still a much loved song of praise. In the third stanza is described a sustaining power, which, to the weary pilgrim, has proved an unfailing antidote when the road is rough and the sky is overcast:

“Lord I would clasp Thine hand in mine,
And never murmur or repine;
Content, whatever lot I see,
Since ‘tis my God that leadeth me.

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Ewere Odiase

Asaba, Delta State, Nigeria

Apr 1, 2021

Beautiful

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Joshua

Aba, Abia, Nigeria

Mar 31, 2021

I've had this song in my lips for too long. Playing to me even in my subconscious. I decided to invest in it and the wordings are so comforting even in the midst of crisis.

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Charlotte

Pretoria, South Africa

Jan 21, 2021

May His holy name be praised

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Dorothy Odondi

Nairobi, Kenya

Dec 31, 2020

God has been my guide throughout this covid-19 time. He has been faithfully providing for me and my family. I am so grateful. I bless his name, I adore Him. His name be glorified.

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Waleghwa

Nairobi, Kenya

Dec 17, 2020

I will instruct you and teach you in the way you should go; I will guide you with my eye. Psalms 8:32. Whether you turn turn to the right or to the left, your ears will hear a voice behind you, saying, "This is the way; walk in it. Isaiah 30:21. Trust in the Lord with all your heart, and lean not on your own understanding. In all your ways acknowledge him, and he shall direct your paths. Proverbs 3:6.

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Peggy Kennedy

Beamsville, Ontario, Canada

Sep 2, 2020

What a wonderful accompaniment to the words that I’ve written in my journal today: “Make sure His Lordship translates into His “lead-ship. ”. Amen!

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Anonymous

Jul 28, 2020

I remember singing this at boarding gate 49 of Hong Kong International Airport before boarding flight CX101 to Sydney. I trusted in God and he led me for the month there.

Since then, this has become one of my favourite hymns.

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Sante

Kenya

May 19, 2020

I like it.

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Allen Africa

May 6, 2020

My morning bread.

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