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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Trust and obey

Experience of Christ Obeying Him

English582
1
When we walk with the Lord
In the light of His Word,
What a glory He sheds on our way;
While we do His good will,
He abides with us still,
And with all who will trust and obey.
 
Trust and obey,
For there’s no other way
To be happy in Jesus,
But to trust and obey.
2
Not a shadow can rise,
Not a cloud in the skies,
But His smile quickly drives it away;
Not a doubt or a fear,
Not a sigh or a tear,
Can abide while we trust and obey.
3
Not a burden we bear,
Not a sorrow we share,
But our toil He doth richly repay;
Not a grief or a loss,
Not a frown or a cross,
But is blest if we trust and obey.
4
But we never can prove
The delights of His love,
Until all on the altar we lay;
For the favor He shows,
And the joy He bestows,
Are for them who will trust and obey.
5
Then in fellowship sweet
We will sit at His feet,
Or we’ll walk by His side in the way;
What He says we will do;
Where He sends, we will go,
Never fear, only trust and obey.

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Victoria Namubiru

Kampala, Makindye, Uganda

Aug 13, 2012

My soul has been nourished.If only I could trust and obey, things could work out in my favour. God bless you composers.

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Samuel Keri

Juba South Sudan, Juba

Jul 23, 2012

How great and blessed it is for the one who upload this hymn onto the Internet. I really enjoy it. Be blessed.

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Rev. Subrato Mullick

Kolkata, West Bengal, India

Jun 20, 2012

Thanks for getting this song on the net. It really reminds me of the school days when we had morning assembly and quite often we sang this song. Jesus is the one whom we can trust and obey to lead a life in abundance.

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Catherine Lupia

Nairobi, Kenya

May 27, 2012

I am so excited to find out this hymn song on net. Reminds me of when we were kids and me and myself sisters would send to our hymn books at night before going to bed...

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Thomas Chaffee

Lakeview, Michigan, United States

Mar 24, 2012

Thank you for this, it has restored me and my trials for yet another day.

God Bless you all.

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Miebaka Abaku

Port Harcourt, Rivers, Nigeria

Mar 8, 2012

If we can but just trust and obey Him our lives will never experience any dark moment.

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Robin Berkan

Regina, Saskatchewan, Canada

Jan 13, 2012

My dad said this was his mom's favorite song. She sang it over and over during WWII to help her trust God to be with her sons serving their country (USA). I have always loved it and the Lord brings it to me whenever I need Him the most. Yes, God bless those men and women of God who wrote these wonderful old hymns!

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Omoregie Deborah

Port Harcourt, Rivers, Nigeria

Nov 23, 2011

I love this inspiring song. My best part is verse 4. That we never can prove the delight of His of love until all on the altar we lay. Until we offer ourselves as living sacrifice that is holy and acceptable that is when we get to know the extent of His boundless love. Halleluyah.

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Francis Orji

Toronto, Ontario, Canada

Jul 16, 2011

The Lord asked me a question during week. Why do men lie? As I thought about it, it occurred to me that because most times they do not have the power or resources to bring to pass what they promised. God is not a man that should lie or the son of man that should repent. All powers in heaven and on earth are with Him. All resources are at His disposal. That includes men. So be rest assured. What He said He will do He will do.

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Magdalene

Nairobi, Kenya

Jul 13, 2011

My four year old daughter just learned it in school today. When I heard her singing, I remembered I simply need to trust and obey our heavenly Father.

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