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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Dear Lord, Thou art the Word of God

Praise of the Lord His Divinity

English56
1
Dear Lord, Thou art the Word of God,
Thou art God’s very Son;
Thou art His holy image true,
And with Him ever one.
2
Thou art Thyself the very God,
Thou dost embody Him;
In Thee is manifested God,
And we see God therein.
3
Effulgence of God’s glory, Thou,
By Thee God shines on us;
Expression of His substance, Thou,
In Thee He’s real to us.
4
In Thee God is the life to us,
In Thee He is the light;
In Thee His nature we partake
And with Him we unite.
5
In Thee the grace of God subsists,
God we enjoy in Thee;
His truth in Thee is also found,
His full reality.
6
In Thee God’s fullness we receive,
Which fills from grace to grace;
In Thee with God we’re mingled here,
Till one in every phase.
7
O Lord our God, we worship Thee,
In Thee we have our all;
Thyself we treasure in our heart,
Thy Name we love to call.

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Yasmin De Torres

Quito, Ecuador

Oct 5, 2026

Col 2 :9 Porque en Él habita corporalmente toda la plenitud de la Deidad.

Oh Señor Jesús!
Mezclanos con Dios por tu gracia que nos das!
Te amamos!

Read more
Un Hermano

Jun 15, 2025

GOD EXPRESSED IN MAN

In the Gospel of John we are told that the Lord is the Word of God, that this Word is God Himself (1:1), and that one day He became a man (v. 14). We see the Lord on this earth acting, living, walking, working, and doing things exactly as a man. Although He performed miracles, His life was a human life, His walk a human walk. Sometimes He was hungry, sometimes thirsty. Once He asked a woman for some water to drink (4:7). Sometimes He felt tired (v. 6), and sometimes He even wept (11:35). He was one hundred percent a man! Yet, in this man—in His life, His walk, His work—God was manifested. This is what God still desires today; He desires to be manifested through humanity.

The Four Major Steps of Christ

Chapter 1 (LSM)

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Christopher Burk

Seattle, Washington, United States

Jul 17, 2022

Amen! Thou art Thyself the very God!

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Maria Levi

Los Angeles, California, United States

May 11, 2021

In the Lord the grace of God subsists, and we enjoy God in Him. We also found God's truth in Christ, as the full reality!

We worship You, O Lord, our God, we have our all in You! We treasure You in our hearts and love to call Your precious name!

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Bob

Buffali, NY, United States

Jul 27, 2020

O Lord grant us to know You in such a way. Grant us such a living in Thee

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Keri L.

St. Louis, MO, United States

Oct 16, 2017

I enjoyed Psalm 80 with this hymn, particularly with verse 4. In three verses, v.3, v.7 and v. 9 it says: "O God, restore us; And cause your face to shine, and we will be saved.

O God of hosts, restore us; And cause Your face to shine, and we will be saved.

O Jehovah God of hosts, restore us; Cause your face to shine and we will be saved." Let us call on Him and allow ourselves to be shined on by Him to remain in His love and glory!

Read more