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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Leaning on the Everlasting Arms

Experience of Christ Fellowship with Him

English558
1
What a fellowship, what a joy divine,
Leaning on the Everlasting Arms!
What a blessedness, what a peace is mine,
Leaning on the Everlasting Arms!
 
Leaning, leaning,
Safe and secure from all alarms;
Leaning, leaning,
Leaning on the Everlasting Arms.
2
O how sweet to walk in this pilgrim way,
Leaning on the Everlasting Arms!
O how bright the path grows from day to day,
Leaning on the Everlasting Arms!
3
What have I to dread, what have I to fear,
Leaning on the Everlasting Arms!
I have peace complete with my Lord so near,
Leaning on the Everlasting Arms!

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Ghane Zungu

Bracknell, Berks, United Kingdom

Oct 22, 2017

Woke up here this morning with the words of the 1st stanza ringing in my head — God confirming the real sweet fellowship which I had yesterday with fellow my fellow country men — powerful message and the sweet Spirit that was felt among the brethren.

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Ogedengbe Nathaniel

Akure, Ondo, Nigeria

Jun 30, 2017

What have I to dread!!
What have I to fear!!!
Leaning on the everlasting arms.

I woke up with a the thought of this song this morning, after I searched for the lyrics I come out to say this is not just another song but a message of hope and comfort to a weary soul.

Last night I decided to separate myself by moving to the adjoining room in my apartment, away from my wife and children in order to have a fellowship with the Lord, as I woke up this morning this song came ringing in my heart and I have been singing it since then. What a fellowship, what a joy divine. The fear of death is gone when I sang this song alleluyah.

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JayneRuth

Nairobi, Kenya

Jun 2, 2017

What have you to dread, what have you to fear! Nothing at all! His arms are a safe haven. He will never let you down. He will love you to your last breath...and through all eternity...lean on the everlasting arms....you are safe and secure from all alarms...in His arms.

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Frank Alcamo

Oceanside, NY, United States

May 15, 2017

May God help us to live the Words of this beautiful Hymn. It really means something to take these words seriously. God help us to live a God glorifying life in Christ Jesus our Lord.

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Jesse

San Antonio, Texas, United States

Jan 21, 2017

Blessed are His hands
For they give everlasting life
We serve a Living God
Let it be known to the mountaintop
Everlasting peace
Let it be known to man
Those who seek His salvation are blessed
For He is.

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Dorcas T. Adesanya

London, England, United Kingdom

Jan 6, 2017

Happy New Year!!! May we lean on the everlasting arms of God throughout this year and beyond in Jesus mighty name. I pray that the peace of God will be our portion with God so near us this year in Jesus name. Thanks for uploading this song and God bless you all. Peace!!!

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Dorcas T. Adesanya

London, England, United Kingdom

Dec 3, 2016

Praise the Lord!!! Oh how sweet to walk in this pilgrim way. More grace oh Lord to continue to rest on the everlasting arms of God in Jesus Name Amen. Thank God for the complete peace of God with my Lord so near. Thank you for uploading this song and God bless you all. Shalom!!!

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Dorcas T.Adesanya

London, England, United Kingdom

Nov 3, 2014

Oh Lord help us to continue to rest on the everlasting arms of God in Jesus Name Amen. Thanks for uploading this song and God bless you all. Shalom!!!

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Andrew Craig

Glasgow, East Dunbartonshire, United Kingdom

Apr 9, 2013

Thank you Steve Miller.

I have been looking into the history of this hymn to give a short 5 mins talk on it then sing it at a Lunch Club I go to tomorrow and while I found some information on its history I wondered what the bad news was that prompted the originator A.J. Showalter to think along these lines and you have answered the question in my mind "That he had heard from two former students who had both lost their wives on the same day".

I will add this to my notes.

Thank you once more!

May the Lord bless you.

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Steve Miller

Detroit, MI, United States

Jan 30, 2013

One afternoon in 1887, music teacher A. J. Showalter dismissed his class and returned to his rooming house in Hartsville, Alabama. There he found letters from 2 former students, each with a similar story. Both of them had lost their wives, and both wives had died on the same day. Showalter began writing letters of condolence. The Scripture that came to mind was Deuteronomy 33:26-27, the assurance of God's "everlasting arms" supporting us.

Then he wrote a 3rd letter, to Elisha Hoffman, a hymnwriter in Pennsylvania. Showalter suggested that Hoffman write a hymn on that theme. He even suggested the wording of the chorus. Hoffman responded quickly with 3 stanzas and Showalter supplied the music. - Great Songs of Faith by Brown & Norton

It seems this hymn was produced by a life caring for others, having the living word including the riches of the Old Testament, and fellowship.

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