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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Art thou sunk in depths of sorrow

Comfort in Trials By the Lord’s Arms

English677
1
Art thou sunk in depths of sorrow
Where no arm can reach so low?
There is One whose arms almighty
Reach beyond thy deepest woe.
God th’ Eternal is thy refuge,
Let it still thy wild alarms;
Underneath thy deepest sorrow,
Are the everlasting arms.
 
Underneath thee, underneath thee,
Are the everlasting arms,
Everlasting, everlasting,
Are the everlasting arms.
2
Other arms grow faint and weary,
These can never faint, nor fail;
Others reach our mounts of blessing,
These our lowest loneliest vale.
O that all might know His friendship!
O that all might see His charms!
O that all might have beneath them
Jesus’ everlasting arms.
3
Underneath us, O how easy;
We have not to mount on high,
But to sink into His fullness,
And in trustful weakness lie.
And we find our humbling failures
Save us from the strength that harms!
We may fail, but underneath us
Are the everlasting arms.
4
Arms of Jesus! fold me closer,
To Thy strong and loving breast,
Till my spirit on Thy bosom
Finds its everlasting rest;
And when time’s last sands are sinking,
Shield my heart from all alarms,
Softly whispering, “Underneath thee,
Are the everlasting arms.”

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Jim Smith

Mansfield, Ohio, United States

Dec 21, 2024

A B Simpson must have experienced this grief and inspired him to pen this hymn on grief and God’s holding arms. I have experienced such grief and total hopelessness. At that time I gave up on life but God held me in His arms. It was several years later that I realized Christ was there all the time and would not let me hurt myself. This experience of grief has now brought me to a deep peace and trust in my Lord God.

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Maurice Ward

Columbus, Ohio, United States

Jun 25, 2021

Arms of Jesus! fold me closer,
To Thy strong and loving breast,
Till my spirit on Thy bosom
Finds its everlasting rest;

One of the His disciples, whom Jesus loved, was reclining on Jesus' bosom

John 13:23

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Nonyem Abena

Accra, Greater Accra, Ghana

May 16, 2015

I thank the Lord for His everlasting arms. My prayer is that I sink into His fulness and in trustful weakness lie, that my humbling failures save me from the strength that harms! And not me alone.....but all who call upon His name.....Amen.

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Pelita CVH

Sinacaban-Evansville, MIS.OCC-IN

Mar 10, 2010

O what a comfort! Underneath thy deepest sorrow, Are the everlasting arms.

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Frank Pytel

Chicago, Illinois, United States

Feb 27, 2010

When things are so bleak, and lonliness accompanies our sorrow, our way and support can only be found in Christ. He comes to us, and remains there when we can't go on. Somehow the touch of His hand or the holding strength of His arm does something to release us within. At times His supporting hand or arm comes in one of His members, who can be with us (1 Cor. 12:26a; Rom. 12:15b). Whether it is His direct touch when we are alone, or the loving touch of a member of His body, it is all Christ.

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Steve Miller

Detroit, MI, United States

Aug 16, 2009

ref. Deut. 33:27

When I have fallen due to my own failure or for another reason, it is wonderfully comforting to know that underneath me is something much better than any safety net - His everlasting arms.

I especially like v3:

And we find our humbling failures

Save us from the strength that harms!

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Jason Lee

Anaheim, CA

Apr 7, 2009

"Underneath thy deepest sorrow are the everlasting arms." - What a marvelous comfort for a child of God to discover that at the bottom of sorrow are His everlasting arms! Upon arriving at the end of our reach (underneath thee), we experience the endless of time (everlasting) arms! This hymn manages the element of surprise (trustful weakness, strength that harms) with the strong encouragement of His almighty, far reaching, and everlasting arms. After everything sinks, faints, fails, and (time) runs out, we but sink into His fulness, into His everlasting arms. It reminds me of another Simpson's hymn that we are "sinking into God."

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Jess Pfleegor

Wailuku, HI, U.S.A.

Oct 10, 2002

I like it because it lets me know there is One who can reach me in my lowest grief.

One time I was praying and and the bottom just opened up and all my sorrow just spilled out in tears to the Lord. The Lord really met me and carried me through the night.

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