Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Leaning on the Everlasting Arms

Experience of Christ Fellowship with Him

English558
1
What a fellowship, what a joy divine,
Leaning on the Everlasting Arms!
What a blessedness, what a peace is mine,
Leaning on the Everlasting Arms!
 
Leaning, leaning,
Safe and secure from all alarms;
Leaning, leaning,
Leaning on the Everlasting Arms.
2
O how sweet to walk in this pilgrim way,
Leaning on the Everlasting Arms!
O how bright the path grows from day to day,
Leaning on the Everlasting Arms!
3
What have I to dread, what have I to fear,
Leaning on the Everlasting Arms!
I have peace complete with my Lord so near,
Leaning on the Everlasting Arms!

Delete Comment

Delete this comment? This cannot be undone.

Nsiah Adjei

Accra, Ghana

Jan 11, 2026

Another year
All begining anew
What a fellowship in this pilgrims way

Read more
Zoe

Nairobi, Town, Kenya

Sep 2, 2025

Leaning on the everlasting arms 🙏🙏❤️❤️

Read more
Anonymous

Aug 27, 2025

Great it is nice

Read more
Suzanne L. Williams

Eloy, AZ, United States

Aug 13, 2025

I love this Hymn! This piece is from the history:

The African American tradition of syncopation, handclapping, and heavy use of percussive instruments enlivens this hymn and gives hymn lovers the freedom to embellish and improvise in worship. For a solo rendition by Mahalia Jackson (1911-1972).

It was also a part of several movies and television programs.

Read more
Lon West

Rolla, Missouri, United States

Jun 11, 2025

It’s great to have the tunes, my memories of the songs sound better with the tunes. The old hymns have stayed in my heart and mind. This makes it so much better to sing them.

Read more
Linda Jenkins

Lawton, OK, United States

Apr 30, 2025

This is an answer to my prayer 🙏

PRAISE The LORD JESUS ✝️🤍✨🕊️🙏🙂.

Read more
Ana Lara

Storrs, Connecticut, United States

Mar 31, 2025

Anthony Showalter studied music in England, France, and Germany. He also taught music, and published over 130 music books. One day, the postman delivered letters from two of his former students. Each letter brought the tragic news that the men’s wives had died, both on the same day. Showalter responded to each one giving encouragement and comfort as he was able. He included Deuteronomy 33:27–“The eternal God is your refuge, and underneath are the everlasting arms. ”

Mr. Showalter, recounted later, “Before completing the writing of a sentence, the thought came to me the fact that we may lean on those everlasting arms and find comfort and strength to be put into a song. ” Just as he was finishing the letters, the words and music of the refrain were written. He then sent his newly composed music to his friend, the writer, Elisha Hoffman, who then came up with three stanzas to match. Out of the comforting letters sent to his former widowed students the hymn, “Leaning on the Everlasting Arms, ” was born.

L. Codington

Read more
Maxine Blake-Grillone

Levittown, PA, United States

Mar 18, 2025

Yes without Jesus Christ we are absolutely nothing. What a Friend O such a friend am glad he loves me and has given me the freedom to choose and I choose Him to serve Him to the end. And my motto is Death Before Dishonor my Jesus Christ gave all for me so though not worthy I desire to live for Him.

Read more
Jim Smith

Mansfield, Ohio, United States

Feb 10, 2025

This came to me after singing “leaning on the everlasting arms.

1 What a fellowship,
what a joy sublime*,
drinking of His very life divine,
How can we resist such a fellowship?
where our oneness can be clearly seen?
Jesus, Jesus,
Jesus the one we hold so dear,
Jesus, Jesus,
When we call we see how real you are!
2 What have we to fear?
Jesus Christ so near,
we shall ever dwell in His great love.
Oh how glorious what a peace of mind
when we trust in His life giving word.
Jesus, Jesus,
Jesus the one we hold so dear,
Jesus, Jesus,
When we call we see How real you are!

3 Even in despair,
We can pray to Him,
Cast our burdens on His shoulders
Now!
Angst will disappear,
Filled with peace within,
Such a joy to trust in Him today!
Jesus, Jesus,
Jesus the one we hold so near,
Jesus, Jesus,
When we call, we see How near you are!

Read more
Parie Agan

Nairobi, Kenya

Jan 14, 2025

Leaning on the Everlasting arms indeed. Amen Amen

Read more