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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I come to His presence afresh

Experience of Christ Fellowship with Him

English554
1
I come to His presence afresh
Ere the night has passed into morning;
And His face I see as it shines on me—
The Lord within is dawning.
And He speaks to me and reveals to me
All His riches for me today;
And with sweet delight I partake of Him,
My hunger has passed away.
2
As Spirit He speaks thru the Word
Till my heart in echo is singing,
And the fount of life with His grace and pow’r
Within my soul is springing.
And He speaks to me and reveals to me
All His riches for me today;
And I drink of Him for my every need,
My thirsting has passed away.
3
In tenderness He deals with me,
While I stay with joy in His presence;
And He saturates and supplies my soul
With all His precious essence.
And He speaks to me and reveals to me
All His riches for me today;
And in every way I partake of Him,
My problems all passed away.

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Lilo Xu

Auckland, New Zealand

Feb 10, 2022

Lord, do draw us morning by moring to come to Your presence afresh, so that You can speak to us and reveal to us, oh Lord, all the riches You have prepared for us. Lord, we don't want to miss You. Lord, we want to enjoy You moment by moment, to absorb all the riches of our Savior!!!

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Chris W Condon

London, England, United Kingdom

Feb 2, 2021

We surmise that Hebrews was written by the apostle Paul based on the observation that no one else had the vision he did, to be able to compose such a deep and mysterious letter. Similarly, we can surmise who wrote/adapted this hymn based on the author's realization and personal experience of God's economy and heart's desire. Wonderful hymn.

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Esther

Los Angeles, United States

Nov 29, 2020

Who is the author of the hymn?

I enjoy the last two lines of stanza 2 that thirsts are sometimes the source of our need. The Lord as the living fountain of life quenches our every thirst. It’s true indeed that our uttermost need each day is to come afresh into His presence to drink of Him. Then we can testify that our thirsting has passed away.

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Steve Miller

Detroit, Michigan, United States

Jan 4, 2020

This hymn seems to be based on "In the Garden" by C. Austin Miles, who abandoned his career as a pharmacist at age 24 to serve the Lord full time. He said, "It is as a writer of gospel songs I am proud to be known, for in that way I may be of the most use to my Master, whom I serve willingly although not as efficiently as is my desire."

"In the Garden" is based on Mary Magdalene meeting the Lord on the morning of His resurrection in John 20:1-18.

Miles says, "One day in March, 1912, (20 years after he had given up pharmacy) I was seated in the dark room where I kept my photographic equipment and organ. I drew my Bible toward me; it opened at my favorite chapter, John 20 - whether by chance or inspiration let each reader decide. That meeting of Jesus and Mary had lost none of its power and charm. As I read it that day, I seemed to be part of the scene. I became a silent witness to that dramatic moment in Mary's life when she knelt before her Lord and cried, 'Rabboni! '

My hands were resting on the Bible while I stared at the light blue wall. As light faded, I seemed to be standing at the entrance of the garden, looking down a gently winding path, shaded by olive branches. A woman in white, with head bowed, hand clasping her throat as if to choke back her sobs, walked slowly into the shadows. It was Mary. As she came to the tomb upon which she placed her hand, she bent to look in, and hurried away.

John in flowing robe appeared, looking into the tomb; then came Peter, who entered the tomb, followed slowly by John.

As they departed, Mary reappeared; leaning her head upon her arm at the tomb, she wept. Turning herself, she saw Jesus standing; so did I. I knew it was He. She knelt before Him with arms outstretched and looking into His face cried, 'Rabboni! '

I awakened in full light, gripping the Bible, with muscles tense and nerves vibrating. Under the inspiration of this vision I wrote as quickly as the words could be formed - the poem exactly as it has since appeared. That same evening I composed the music."

------------------

1. I come to the garden alone,
While the dew is still on the roses;
And the voice I hear, falling on my ear,
The Son of God discloses.
----

Refrain: And He walks with me, and He talks with me,
And He tells me I am His own,
And the joy we share as we tarry there,
None other has ever known.
----

2. He speaks, and the sound of His voice
Is so sweet the birds hush their singing;
And the melody that He gave to me
Within my heart is ringing.
----

3. I'd stay in the garden with Him
Tho' the night around me be falling;
But He bids me go; thro' the voice of woe,
His voice to me is calling.
-------------

The tune written by Miles for this hymn is tune #501, used for "O Glorious Christ Savior Mine".

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PW

Honolulu, HI, United States

Sep 20, 2019

When we allow the Lord Jesus to live in us to be our everything, wah! our life is supplied with His unsearchable riches and our living is full of bliss and satisfaction.

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Raul Ramirez

Arvada, Colorado, United States

Sep 19, 2019

Speak to me and reveal to me all Your riches for me today! And with sweet delight I partake of You, my hunger has passed away!

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Jeremy L. Vega

San Carlos City, Neg. Occ., Philippines

Apr 28, 2018

Very refreshing! Full of life!

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Victoria

Abuja, Nigeria

Jan 2, 2017

This is my 'go to' hymn. My all time favorite. A simple but profound hymn full of love and care and succor between two people (the Lord and the singer) who cherish each other.

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Steve Miller

Detroit, MI, United States

Dec 24, 2014

It seems this hymn was inspired by the hymn, "I come to the garden alone" by Charles Austin Miles in 1913 which applied Mary Magdalene's experience in John 20:11-18 to us. The tunes are very similar.

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Leira Ruth

Iligan City

May 3, 2014

Nice one, Tom! I tried singing the way you suggested and indeed it is sweeter!

And in every way I partake of You,
My problems all passed away.
Amen!

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