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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I’ve believed the true report

Experience of Christ Fellowship with Him

English551
1
I’ve believed the true report,
Hallelujah to the Lamb!
I have passed the outer court,
O glory be to God!
I am all on Jesus’ side,
On the altar sanctified,
To the world and sin I’ve died,
Hallelujah to the Lamb!
 
Hallelujah! Hallelujah!
I have passed the riven veil,
Here the glories never fail,
Hallelujah! Hallelujah!
I am living in the presence
of the King.
2
I’m a king and priest to God,
Hallelujah to the Lamb!
By the cleansing of the blood,
O glory be to God!
By the Spirit’s pow’r and light,
I am living day and night,
In the holiest place so bright,
Hallelujah to the Lamb!
3
I have passed the outer veil,
Hallelujah to the Lamb!
Which did once God’s light conceal,
O glory be to God!
But the blood has brought me in
To God’s holiness so clean,
Where there’s death to self and sin,
Hallelujah to the Lamb!
4
I’m within the holiest pale,
Hallelujah to the Lamb!
I have passed the inner veil,
O glory be to God!
I am sanctified to God
By the power of the blood,
Now the Lord is my abode
Hallelujah to the Lamb!

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Khim Bitang

Davao City, Panabo, Philippines

May 16, 2026

Hallelujah, Hallelujah

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Un Hermano

Jan 26, 2026

THE LORD’S RECOVERY AMONG US

We can see that from the time of the apostles, through the time of the Council of Nicaea, and continuing until the twentieth century, there have been Bible scholars in every generation. We thank the Lord that most of the light that they saw has been put into writing. Sixty or more years ago we were raised up by the Lord. The first leading one among us was Brother Watchman Nee. He set a very good pattern by having no bias. He knew the proper way to read, and even the more he knew how to select books. From 1923 to 1925, when he was just over twenty years old, he collected many prominent Christian writings and Christian masterpieces, about three thousand books. This collection included books of the church fathers, books about church history, books of Bible scholars, and biographies of famous Christians with many of their good messages. He read nearly all of them. Later, I came into the Lord’s recovery and became his co-worker. I thank the Lord that from the beginning Brother Nee had a high regard for me. He often sat down and discussed with me the books he had read. My memory was able to retain all that he spoke to me. He brought out many good points from the Catholic Church, from the Greek Orthodox Church, and from many of the Protestant denominations. He even brought out the good points from the Pentecostal movement. Some of our hymns are from the Pentecostal movement. Hymns, #551, “Hallelujah! Hallelujah! / I have passed the riven veil, ” is one of them. Hymns, #310, “Glorious freedom, wonderful freedom, ” is another. These are masterpieces of the Pentecostal movement.

The Full Knowledge
of the Word of God
Message 4 (LSM)

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James Smith

Mansfield, Ohio, United States

Mar 4, 2025

Hebrews 10:19 “We have confidence to enter the holy places by the blood of Jesus, by the new and living way that he opened for us through the

Veil, that is, through his flesh” Christ's work of opening a new and living way for us to enter into God's presence is remarkable. 1) Through his Incarnation and Death, he dedicated this freshly killed and newly made way for us to have boldness and access to God himself. 2) By following Christ, we are led to the enjoyment of all the good things of God, as we walk in him, the way that infallibly leads to eternal life. 3] Ultimately, Christ's flesh becomes the door and the way for us to find and commune with the divine. By this new and LIVING way we can move from our soul, the holy place, to our spirit, the holy of holies. We enter into God and we can abide with him. This is totally awesome. This hymn is based on the divine Truth and is our experience.

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Joshua Rowe

Brampton, ON, Canada

Sep 16, 2024

I AM LIVING! YES I AM LIVING! IN THE PRESENCE OF THE KING!

God has been GOOD! Let us keep believing the TRUE report

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Albert Cual

Abu Dhabi, United Arab Emirates

Nov 23, 2023

The Lamb who takes away our Sin and Sins. Amen

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Br.Jeff Hall

Church In Worcester, Massachusetts, United States

Jun 14, 2023

Thanks be to the Lord for this way of Life! We can live in His presence and live out His will in Life and Nature. We can share in His Glory, since He comes in to dwell in our being, Lord may all the saints see the light of your face!

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Ken Stanislav

Rochester, MN, United States

Feb 10, 2022

Hallelujah! Hallelujah!
I have passed the riven veil,
Here the glories never fail,
What a joyous song!

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Alec

Lubbock, TX, United States

Jan 6, 2022

Hallelujah to the Lamb!! The blood has brought me in!!!

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Lemoin Helmle

Tulsa, OK, United States

Oct 8, 2021

I'm not quite sure what your source is for the words of this song, but from my memory of singing this song in church while growing up, and the hymnals that I have searched, I believe you have an incorrect word in the 3rd line of the chorus.

Instead of reading "Here the glories never fail,"

I beileve it should be "Where the glories never fail,"

As I said initially, my correction comment comes from singing the song many years ago... and from researching various hymnals ie. "Melodies of Praise" , "Hymns of Glorious Praise". , etc.

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Charles Osei Kingsford

Kumasi, Tech, Ayigya, Ghana

Jan 14, 2021

I came looking for this song when I heard it in My local dialect and I have no Shame doing so.

1. Magye nokwasem no adi
Hallelujah nka aguama no.
Mafiri tenabea Dada no mu.
Animuonyam nka nyankopon.
May3 Jesus ne de koraa
Mabo afode atew meho
Mawu Ama Bone me wiase
Hallelujah nka aguama

CHORUS
Hallelujah! Hallelujah!
Manya matwa asubonten
Nanimuonyam erensa da
Hallelujah! Hallelujah!
Mete ohene nanim Daa nyinaa
Glory hallelujah!

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