Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Fade, fade each earthly joy

Experience of Christ As Everything

English531
1
Fade, fade each earthly joy;
Jesus is mine.
Break every tender tie;
Jesus is mine.
Dark is the wilderness,
Earth has no resting place,
Jesus alone can bless;
Jesus is mine.
2
Tempt not my soul away;
Jesus is mine.
Here would I ever stay;
Jesus is mine.
Perishing things of clay,
Born but for one brief day,
Pass from my heart away;
Jesus is mine.
3
Farewell, ye dreams of night;
Jesus is mine.
Lost in this dawning bright;
Jesus is mine.
All that my soul has tried
Left but a dismal void;
Jesus has satisfied;
Jesus is mine.
4
Farewell, mortality;
Jesus is mine.
Welcome, eternity;
Jesus is mine.
Welcome, O Loved and Blest,
Welcome, sweet scenes of rest,
Welcome, my Savior’s breast;
Jesus is mine.

Delete Comment

Delete this comment? This cannot be undone.

Precious Jumbo

Wolverhampton, West Midlands, United Kingdom

Dec 26, 2020

When a Song does not touch the Soul, it's no Song. When it's a Song but does not touch the Soul, that life has a problem, and therefore needs "The Saviour's Breast". This Song takes my heart back to the Ocean of Divine Peace and Assurance whenever the world packs loads of problems upon my shoulders. "Sweet Scenes of Rest" can only be found in the environment where Christ dwells. Great Song👍

Read more
Maurice Ward

Columbus, Ohio, United States

Dec 20, 2020

Lord break ev'ry tender tie

Lord welcome me each hour to your loving tender breast

Read more
Prince Charming

Nairobi, Kenya

Jul 11, 2020

Reminds of my brother Charlie Moyo at City Centre Bulawayo, he used to love this song and every time I hear it, I think of how far GOD has brought since we were youths in the late 80s

Read more
Margaret Kwamboka Nyambati

Sep 24, 2016

Amina kwa majibu yote mliyoandika hapa...nashukuru sana...kwa kweli, Yesu ni mkubwa...

Read more
Dickson Chinagorom O.

Ohoba, Imo, Nigeria

Sep 13, 2016

Whenever I hear/play this song, I feel light and eased. I see pivotal reasons to keep it rather simple here on earth but focus on my communion with Jesus Christ even hereafter. -Relishing the possible peace and joy of heaven above!

Read more
Oluniyiajulo Johnson

Ibadan, Oyo, Nigeria

Jan 17, 2015

This song always draws my attention to heaven and endears my heart to Jesus.

Read more
Chinyere Akaegbusi

Lagos, Nigeria

Oct 12, 2014

It's a wonderful song and keep on reminding me that all the pleasures of life is in vain. The only joy we should aspire for is heavenly one.

Read more
Steve Miller

United States

Mar 28, 2014

Jane Catharine Lundie wrote this hymn in 1843. She married famed Scottish preacher and hymn writer Horatius Bonar that same year. Though he was thirteen years her senior, they had a loving marriage, and fruitful ministry together for over four decades. She wrote other hymns, but Mrs. Bonar is chiefly remembered for this one, originally entitled “Jesus, All in All.”

Many years ago, when a young pastor lay dying, he urged those gathered around his bed not to weep for him, but rather to sing a hymn. And this was the hymn he asked for. As he passed into eternity, and into the presence of his Saviour, the hymn was sung (though tearfully). - Wordwise Hymns - Robert Cottrill

Read more
Christseeker

Round Rock, TX, United States

Nov 2, 2013

Just found out that this is Samuel Morris' favorite hymn. Read from Samuel Morris by Lindley Baldwin, a very inspiring biography of a dear African brother.

Read more
Siama

Aizawl, Mizoram, India

Aug 14, 2013

Can anyone tell me about the story of this hymn...I got deep inspiration through the song. It strengthens me when I'm in a critical time...

Read more