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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Jesus only is our message

Experience of Christ As Everything

English511
1
Jesus only is our message,
Jesus all our theme shall be;
We will lift up Jesus ever,
Jesus only will we see.
 
Jesus only, Jesus ever,
Jesus all in all we sing,
Savior, Sanctifier, and Healer,
Glorious Lord and coming King.
2
Jesus only is our Savior,
All our guilt He bore away,
He, our righteousness forever,
All our strength from day to day.
3
Jesus is our Sanctifier,
Saving us from self and sin,
And with all His Spirit’s fullness,
Filling all our hearts within.
4
Jesus only is our Healer,
All our sicknesses He bare,
And His risen life and fullness,
All His members still may share.
5
Jesus only is our Power,
He the gift of Pentecost;
Jesus, breathe Thy pow’r upon us,
Fill us with the Holy Ghost.
6
And for Jesus we are waiting,
List’ning for the Advent Call;
But ’twill still be Jesus only,
Jesus ever, all in all.

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Inimo Adirimo

Yenagoa, Bayelsa, Nigeria

Jan 21, 2021

Jesus is our master and coming King

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Pruner

Lagos, Nigeria

Dec 13, 2020

We song it today in church and I was revived. Thank you Jesus for been the savior

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J.H.

United States

Dec 13, 2020

Jesus only is our message

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Ola Omitoyin

United Kingdom

Dec 12, 2020

As I woke up this morning, this song popped into my mind. I came here and searched for and was so happy when I found it! Jesus only! Jesus over everything! This has been my theme in recent days. Thank you Jesus for being my All in All.

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Adegbenro Caroline Adesola

Ondo, Ondo State, Nigeria

Nov 16, 2020

This song has been one of my classics, inspiring hymn, just this morning the Holy spirit prompted me to sing it again and again, Jesus indeed you are my healer, baptised and sanctifier! May your name be praised!!

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Ishaya Audu John

Jos, Plareau, Nigeria

Aug 2, 2020

I first heard this song in the year 1989 April when I was in SS1, at Deeper life church Kafanchan. It was one of our copper teacher Mr Ayo Amusan that took us from Jagindi to Kafanchan for a conference. God may your name be praised for ever.

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Oyelakin Ojo

Ibadan, Oyo, Nigeria

Jul 12, 2020

The last line of the chorus is baptiser and coming King

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Christiana Ekanem

Calabar, Cross River State, Nigeria

May 2, 2020

I also first heard this song in Deeper life in 1996 when l gave my life to Christ. lt is a song Pastor Kumunyi loved so much . We usually sing it when we have occasions for workers then.

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Wale Bankole

Odessa, Texas, United States

Apr 26, 2020

I heard this hymn just once at Deeper life Bible church. It has since stuck in my head because the tune and lyrics were inspiring and loving.

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Collins Dambo

Kaduna, Nigeria

Apr 22, 2020

I first heard this song during the Institute of Medical Missions (IMM) training organized by the Christian Medical & Dental Association (CMDA), September 2017 at Wusasa - Zaria (Northern Nigeria). And what a blessing it has been to my life. Unfortunately, songs like this are rarely sang in our Churches today.

God bless the author

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