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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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You have longed for sweet peace, and for faith to increase

Consecration All on the Altar

English448
1
You have longed for sweet peace, and for faith to increase,
And have earnestly, fervently prayed;
But you cannot have rest, or be perfectly blest,
Until all on the altar is laid.
 
Is your all on the altar of sacrifice laid?
Your heart, does the Spirit control?
You can only be blest and have peace and sweet rest,
As you yield Him your body and soul.
2
Would you walk with the Lord in the light of His Word,
And have peace and contentment alway;
You must do His sweet will to be free from all ill;
On the altar your all you must lay.
3
Oh, we never can know what the Lord will bestow
Of the blessings for which we have prayed,
Till our body and soul He doth fully control,
And our all on the altar is laid.
4
Who can tell all the love He will send from above!
Oh, how happy our heart will be made!
Oh, what fellowship sweet we shall share at His feet,
When our all on the altar is laid!

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Paul Chinda

Port Harcourt, Rivers, Nigeria

Dec 25, 2020

A warm and reassuring hymn of God's enduring promise to be with us always, if we give him our all.

Lord help me never to run with the crowd anymore. Draw me always to thy throne of grace, where mercy is available and grace to help is abundant.

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Olu

Tampa, Florida, United States

Dec 6, 2020

I was waiting on The LORD for a meeting on Peace and this hymn dropped in my spirit. For days on end now, it has remained!

Can’t say for sure where I learnt it but it is most likely from Peace House in the late nineties or early 2000s...

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Adepeju Adeniji

Lagos, Nigeria

Nov 20, 2020

The hymn helps to draw close to God. I learnt it from bro Gbile Akanni in 2013, God bless him greatly

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Michelle Gayle

Luton, Bedfordshire, United Kingdom

Oct 31, 2020

Wonderful, wonderful Hymn. One of my favourites.

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Peace

Enugu, Nigeria

Sep 15, 2020

This hymn struck me when Bro Gbile Akanni sang it in"The making of God's Battle axe".

Verse 1 says it all- But you cannot have peace or be perfectly blessed Until all on the altar is laid.

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Jan

North Wales, United Kingdom

Jul 19, 2020

How perfectly this teaches my heavy spirit what it was searching for, to sit at His feet in fellowship sweet is to give Him control of my body and soul. So many home truths encapsulated in an easy to remember format.

Thank you Lord for the way You catch our attention and invite us to lay all on Your alter and gain sweet peace - as You did for us in sacrificing Your all in Jesus’ sacrifice.

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Cheral

Enumclaw, WA, United States

Jul 18, 2020

Like many other commenters, Great blessing of insights come to me through suddenly remembered hymns or Bible verses.

Words from this song sprung into my soul as I contemplated setting up a designated altar in my home. I am a Christian and honor the idea of ritual. I simply set out a bamboo serving tray and have been offering into it various notes or documents which represent what my prayers are laying aside for His working--HIs working for the Highest Good to His Will (not mine. )

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Nicodemus Oburu

Nairobi, East Africa, Kenya

Jun 19, 2020

Oh how sweet this song fills my heart. When am completely overcome by trials I remember the words in this song..... That I must lay my heart on the alter of sacrifice.

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Victoria Ekpenyong

Toronto, Ontario, Canada

Apr 12, 2020

We longed for sweet peace, and faith to increase, and have earnestly and fervently prayed but cannot have them, until our all on the altar is laid.

Lord by your working and your moving in us, we cooperate with You to lay our all on the altar.

Thank You Lord.

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Oluseyi

Edmonton, Alberta, Canada

Apr 5, 2020

Every time the cares of life and the deceitfulness of riches and the desire to run with the crowd and get all the pomp and pageantry of passing time compels me to throw in the towel, I am always reminded of this song. especially "You can only be blest and have peace and sweet rest,

As you yield Him your body and soul." This among many hymns I learnt growing up, weighed so strongly on my spirit and I have come to the end of vanity. Nothing else matters. If Christ is not in the souls. all dreams and earthly gains are mere phantasmagoria of nothingness

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