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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I’m pressing on the upward way

Longings For Growth in Christ

English396
1
I’m pressing on the upward way,
New heights I’m gaining every day;
Still praying as I onward bound,
“Lord, plant my feet on higher ground.”
 
Lord, lift me up, and let me stand
By faith on Canaan’s tableland;
A higher plane than I have found,
Lord, plant my feet on higher ground.
2
My heart has no desire to stay
Where doubts arise and fears dismay;
Though some may dwell where these abound,
My prayer, my aim, is higher ground.
3
I want to live above the world,
Though Satan’s darts at me are hurled;
For faith has caught the joyful sound,
The song of saints on higher ground.
4
I want to scale the utmost height
And catch a gleam of glory bright;
But still I’ll pray till rest I’ve found,
“Lord, lead me on to higher ground.”

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Olga-Marie N. Hill

Carmel, Indiana, United States

Sep 26, 2012

How deeply gratifying to find this inspiring and marvelously uplifting hymn on-line.

Recently I have been trying to recall some of the words. HIGHER GROUND has been on my top list of favorites since childhood. Then at an early age at mid-week prayer services when sometimes the selection of a song was requested, I would suggest Higher Ground.

How very moving it has been to note the comments of other striving Christians

around the world; for we are "called to be saints" and we pray for one another; I am further reminded of the message in the song:

"When we all get to heaven, what a day of rejoicing it will be; when we all see Jesus we'll sing and shout the victory."

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Nikkie Adewumi

Pikesville, MD, United States

Sep 20, 2012

This is one of my favorite hymn, This song is definitely a prayer for me that God will lift me up and make me stand in spite of all troubles that I am passing through! Usually we sing this sitting in my church but as for me i'm the first one to jump up with my hands in the air. Praise God!!!!

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Nonhlanhla Skhosana

Johannesburg, Gauteng, South Africa

Sep 18, 2012

I get encouraged, my hunger deepens for the Lord every time I see the lyrics of this song hung up my bedside. Listening to it today has lifted me.

Glory be to God!

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Fery Barineka Gberegbe

PortHarcourt, Rivers, Nigeria

Sep 12, 2012

It balances my daily actions and consciousness to the fact I have a Mighty Helper.

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Nnamdi Ugwu

Ibadan, Oyo, Nigeria

Aug 1, 2012

This song brings down the face of God to me whenever I am singing it and encourages me of better things ahead. It really motivates me every day. it has even become my morning devotional song. After singing this in the morning it fills my heart with hopes and desires to know HIM more.

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Rev. Oluwole Ibikunle

Mafoluku, Oshodi, Lagos, Nigeria

Jun 22, 2012

This hymn is very soul lifting and powerful. We are using it tonight in our Archdeaconry Youth Vigil themed: My Time to Go Forward.

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Rose Marcells

Oshawa, ON, Canada

Jun 3, 2012

This is what every Christian or Non-Christian need to hear. Great instrument, my heart is fill with joy as I'm listening to this awesome instrumental.

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David

Lagos, Ago Palace, Okota, Nigeria

Apr 4, 2012

The songs were written for our sake, that we make know the true GOD, worship Him in spirit and in truth, that we may learn to adore Him and know the beauty of His love, mercy and kindness to us, I LOVE YOU LORD, GIVE ME THE GRACE TO PLEASE YOU ALWAYS......

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Dan Ash

Accra, Ghana

Mar 21, 2012

I needed to hear it this morning.

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Caleb Penner

Turlock, California, United States

Mar 1, 2012

Oh Lord , we must press on for the Lord!!!!!!!!!!

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