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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Hold Thou my hand: so weak I am, and helpless

Longings For a Closer Walk with Christ

English388
1
Hold Thou my hand: so weak I am, and helpless;
I dare not take one step without Thy aid.
Hold Thou my hand: for then, O Loving Savior,
No dread of ill shall make my soul afraid.
2
Hold Thou my hand: and closer, closer draw me
To Thy dear self, my hope, my joy, my all;
Hold Thou my hand: lest haply I should wander,
And missing Thee, my trembling feet should fall.
3
Hold Thou my hand: the way is dark before me
Without the sunlight of Thy face divine;
But when by faith I catch its radiant glory,
What heights of joy, what rapturous songs are mine.

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Berniece Penner

Elmhurst, NY, United States

Sep 5, 2021

"So weak I am and helpless." What comfort that in my weakness, I can lean on an all-knowing, all-powerful God, trusting that His ways are best.

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Deborah Kirabo

Kampala, Uganda

May 13, 2021

Today, it's 1:34am. I just wake up to this song, and singing it over and over, my heart finds peace in it. Somehow I have been hamming it whenever I am missing my parents but this time I woke up singing it and I only give God the glory through Christ my Lord and Savior

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Mnason Tweheyo

Kampala, Uganda

Apr 30, 2021

Woke up this morning seeing only darkness before me but singing this hymn and getting assurance of His sunlight divine has made the time reach 15 26 as I write this message. I am still alive seeing and praising the Lord Jesus's presences. What a savior what a holding hand! I will not dare take another step without they aid.

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David Livingstone Nsibo

Pretoria, South Africa

Mar 29, 2019

This song speaks volumes to my heart. There are times when I feel, everything around me is heavy and all I need is for the Lord to hold my hand. God have mercy.

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Pamela Bensley

Toronto, ON, Canada

Feb 5, 2016

Woke this morning, with many decisions ahead and faced with busy days.. while praying these words were brought to my mjnd by my dear Lord. They gave me new strength and revived my soul. Thank You Father.

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Elaine Reid

Nottingham, Nottinghamshire, United Kingdom

Nov 23, 2015

This is a hymn that I remember hearing as a child many many years ago. I can't remember if we sang it as a family or my big sister sang it to me.

I remember though that even as a small child there was something comforting about this hymn.

Today as a Christian it reminds me of God's bigness and my smallness; of my inadequacies and His all sufficient grace.

This hymn still brings me comfort.

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Rosaline Rowe-Taylor

Birmingham, West Midlands, United Kingdom

Jan 30, 2015

Wonderful Song that brings you into your spirit in such oneness with the Triune God Himself. It meets you at the point of deepest needs when there is no one to turn to; when all the props are being dismantled or when the attacks of the enemy assail. It is reassuring soothing and comforting. Reassuring you that this is the pathway chosen for you and reminding you that other faithfuls are trudging the same pathway and that the Lord is neigh.

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Bill Bresnen

Heswall, Wirral, United Kingdom

Apr 6, 2013

Great thoughts - powerfully words.

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