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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Love Divine, all love excelling

Longings For Christ

English358
1
Love Divine, all love excelling,
Joy of heav’n, to earth come down;
Fix in us Thy humble dwelling,
All Thy faithful mercies crown.
Jesus, Thou art all compassion;
Pure, unbounded love Thou art;
Visit us with Thy salvation,
Enter every trembling heart.
2
Breathe, O breathe Thy loving Spirit
Into every troubled breast;
Let us all in Thee inherit,
Let us find the promised rest.
Take away the love of sinning;
Alpha and Omega be;
End of faith, as its beginning,
Set our hearts at liberty.
3
Come, Almighty, to deliver,
Let us all Thy life receive;
May Thy presence e’er be with us,
Never more Thy temples leave.
Thee we would be always blessing,
Serve Thee as Thou wouldst approve,
Pray, and praise Thee without ceasing,
Glory in Thy perfect love.
4
Finish, then, Thy new creation;
Pure and spotless let us be;
Let us see Thy great salvation
Perfectly restored in Thee;
Changed from glory into glory
Till with Thee we take our place,
Till we cast our crowns before Thee,
Lost in wonder, love and praise.

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Eleanor Umali

Fairfax, Virginia, United States

Nov 12, 2024

I heard my Mom and sister sing this hymn from across the hallway one late night when I was feeling very low.

Only a truly God-inspired heart can compose a hymn as beautiful, touching, and meaningful as this.

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Memaw/sisteregina K

Hag, MD, United States

Jul 13, 2024

(i been living-out saintJohn 13. 34: Jesus’ new commandment now since 2018, now 6yr. s an wat I can tell you is that iam happy per saintJohn 13. 17. WOW I cannot tell it all llll, but, iam amazed, elated and impressed, working out my salvation with fear an trembling, too! HALLELUJAH TO JESUS!!! HALLELUJAH TO GOD!!! I love this narrow way : )

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Robert Malsack

Sun City, AZ, United States Minor Outlying Islands

Jul 14, 2023

As I meditated on Romans 2:4, specifically the perfect cause of being repentant which is the LORD’s kindness, tolerance & patience with me, the Spirit brought this great hymn to mind. It reflects a soul truly motivated to repent in gratitude for the LORD’s goodness and to the glory of God.

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Valerie Evans

Cardiff, Wales, United Kingdom

Jun 8, 2022

Agree with the comments about the power of the words and the right tune. The culmination of all that love flows into the last line, 'lost in wonder, love and praise', and speaks like few others of the encompassing nature of awe.

The devotional works and acts of its writer move me too.

Thanks also for your love and work, hymnal.

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Darren Lewis

Halstead, United Kingdom

Apr 15, 2021

The person who wrote this song, really knew God. He had a revelation, of the goodness of God, and our calling heavenwards. It is fantastically inspirational, and one of my favourites, especially when sung with the gusto and correct music that this song deserves!

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Nhyira Owusu

Surrey, BC, Canada

Sep 6, 2020

love this hymn, such a classic :)

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Leigh Powell

United Kingdom

Apr 16, 2018

This hymn is about the work of God in the life of a Christian after their conversion to the Lotd Jesus Christ. First this work starts with the divine love of God in Jesus Christ, and ends with the final acts of Heaven's eternal worship of God the Father, Son and Holy Spirit.

But how is a person converted? God in His word. the bible, is clear on this. Jesus told a religious man, in John 3, that a person has to be born again in order just to see the kingdom of God, let alone enter it and become a member of the family of God ( Romans 8).

A person is born again through repentance and faith in the gospel of God, found clearly, by the teaching of the Holy Spirit, in the four gospels and the book of Romans, all in the New Testament of the bible.

Finally, read John 3 verse 16 for the only way God loves the person not yet a born again Christian - He loves everyone so that they may repent and believe the gospel. Those who do repent and believe the gospel shall not perish (eternal damnation), but have everlasting life (also John 17 verse 3).

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Steve Miller

Livonia, MI, United States

Aug 23, 2013

For most of his life Charles Wesley was a traveling preacher - traveling on horseback. In his pocket he carried little cards on which he scribbled hymns in shorthand as he rode.

When a horse threw him, he wrote in his journal: "My companion thought I had broken my neck; but my leg only was bruised, my hand sprained, and my head stunned, which spoiled my making hymns till the next day."

----------------------------------------

The original 1st line of stanza 1 says "all loves excelling".

The original 3rd and 4th lines of stanza 2 say:

"Let us find that second rest.

Take away our bent to sinning;"

I prefer "promised" rest to "second" rest because it is more biblical, but greatly prefer "bent to sinning" over "love of sinning". As Christians we should no longer love sinning, but we still have an inclination to sin, which we hate.

The original 3rd & 6th lines of the 3rd stanza say:

"Suddenly return and never,
...
Serve Thee as Thy hosts above,"

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Kathy Schenk

Memphis, TN, United States

Sep 1, 2010

The words, "Jesus, Thou art all compassion, pure, unbounded Love Thou art, come to mind often when He overwhelms me with His goodness and mercy!

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isaiah paul olayo

Baguio City, Benguet, Philippines

May 24, 2009

That I am perfected by any training.

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