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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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How firm a foundation (Alternate Tune)

Assurance and Joy of Salvation A Firm Foundation

English339b
1
How firm a foundation, ye saints of the Lord,
Is laid for your faith in His excellent word!
What more can He say than to you He hath said,
To you who for refuge to Jesus have fled?
2
“Fear not, I am with thee, O be not dismayed,
For I am thy God, and will still give thee aid;
I’ll strengthen thee, help thee, and cause thee to stand,
Upheld by My righteous, omnipotent hand.”
3
“When through the deep waters I call thee to go,
The rivers of sorrow shall not overflow;
For I will be with thee, thy troubles to bless,
And sanctify to thee thy deepest distress.”
4
“When through fiery trials thy pathway shall lie,
My grace, all sufficient, shall be thy supply;
The flame shall not hurt thee; I only design
Thy dross to consume, and thy gold to refine.”
5
“E’en down to old age all My people shall prove
My sovereign, eternal, unchangeable love;
And then, when grey hairs shall their temples adorn,
Like lambs they shall still in My bosom be borne.”
6
“The soul that on Jesus hath leaned for repose,
I will not, I will not desert to his foes;
That soul, though all hell should endeavor to shake,
I’ll never, no, never, no, never forsake!”

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Gary Boswell

Owasso, Oklahoma, United States

May 4, 2019

Praise Him! He will NEVER, no never, no never forsake. He meets every need, no matter how small. He delights in filling us with Himself and joining us to Himself in us! In this He meets every need. Oh, what a God have we!

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Leigh Powell

United Kingdom

Apr 18, 2018

The firmest foundation for the born again Christian is the Lord Jesus Himself, who is the chief cornerstone that the builders rejected (Psalm 118 verse 22, 1 Peter 2 verse 6, 7). For a person to become a Christian that person has to repent of their sin and believe that the Lord Jesus took away their sin on the cross at Calvary, and rose from the dead. (Mark 1 verse 5, Romans 1 verses 3 and 4).

Without the Lord Jesus as Saviour and Lord, the is no spiritual foundation at all, but only sinking sand (Matthew 7 verses 24 to 29).

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Franklyn

Daresalaam

May 12, 2014

I just figured out all the three stages of the believer's life in this hymn reference to our salvation—Justification, Sanctification, and Glorification

The writer presents clearly:

1. The assurance of our standing—on the only reliable/ dependable foundation.

2. The assurance of our progress in our walk as we go through life.

3. The assurance of us going right through to glory.

What blessed assurance "He is able to keep you [all believers] from falling and to present you [all believers] faultless before the presence of His glory with exceeding joy"- Jude 24

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Steve Miller

Detroit, MI, United States

Feb 9, 2013

Most hymnals simply list the author of this hymn as "K" because he wanted to remain anonymous. The hymn was 1st published in 1787 in a hymnbook put together by John Rippon, a Baptist minister in London. While the author remained a mystery for a while, most musicologists now agree that John Rippon's assistant, Robert Keene, was probably the author.

The title of the hymn was "Scripture Promises," and in that 1787 hymnbook these words from 2 Peter 1:4 were printed above the 1st stanza: "Great and precious promises." Each stanza of the hymn emphasizes a different promise in God's Word, with the great climax coming on the last verse, "The soul that on Jesus still leans for repose ... I'll never, no, never, no, never forsake.!" - Great Songs of Faith by Brown & Norton

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Edwin Miller III

Coldwater, Michigan, United States

Feb 1, 2013

I love this tune. I have written my own lyrics to this tune. Here is the first verse:

Great grace of our Lord, so sublime and so great;
There is no other love that can ever equate.
Though others may leave us, our lovers, our friends;
Thy love, O thy love Lord, thy love never ends.

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Betty Jane Bonn

Dunlap, Illinois, United States

Sep 27, 2012

Thank God that eternal salvation is not about works; it is all about abiding in the Vine, Jesus Christ.

John15:1 and 6a

I am the true vine, and my Father is the husbandman...If a man abide not in me, he is cast forth as a branch, and is withered...

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Ebenezer

Hyderabad, India

Oct 7, 2008

It speaks about the assurance of salvation. Many think that salvation of a believer will be lost. I don't know how it can be lost when salvation is God's work, and how can man sustain it by his own works and not by God's grace!!

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