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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Wounded for me, wounded for me

Assurance and Joy of Salvation A Complete Work

English338
1
Wounded for me, wounded for me,
There on the cross He was wounded for me;
Gone my transgressions, and now I am free,
All because Jesus was wounded for me.
2
Dying for me, dying for me,
There on the cross He was dying for me;
Now in His death my redemption I see,
All because Jesus was dying for me.
3
Risen for me, risen for me,
Up from the grave He has risen for me;
Now evermore from death’s sting I am free,
All because Jesus has risen for me.
4
Living for me, living for me,
Up in the skies He is living for me;
Daily He’s pleading and praying for me,
All because Jesus is living for me.
5
Coming for me, coming for me,
Soon in the air He is coming for me;
Then with what joy His dear face I shall see,
Oh, how I praise Him! He’s coming for me.

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Larry Bitterman

Fairport, NY, United States

Jul 21, 2018

When was this hymn written?

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Kathleen Cychosz

Stockton, IL, United States

Jan 26, 2016

I love the song I hum it and keep it in my head all day long.

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Hannah Gottschalk

London, United Kingdom

Oct 28, 2014

No words can adequately expressed what my Saviour, Master and Friend endured to save a wretched like me. I am eternally grateful. Let's this hymn be preserved for all time so generation to come will appreciate the impact of it. Lord we praise and honour Your holy name.

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Joyce Ku

London, United Kingdom

Jul 13, 2013

A simple hymn that captures all of Christian theology, ethos and hope that even a child can appreciate, love and understand. Long may it be sung, enjoyed and believed.

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Kate

Oxford, United Kingdom

Jul 13, 2013

This hymn tells the story of love and mercy. May we encourage each other in this as we live here among unbelief and materialism

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Alex

Surabaya, Jatim, Indonesia

Feb 20, 2013

This is my favourite hymn, and its beautiful melody describes the real pain of Christ who was wounded and dying for me and you.

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Kyuzjam

Philippines

Jan 20, 2013

Living for me, living for me,
Up in the skies He is living for me;
Daily He’s pleading and praying for me,
All because Jesus is living for me.

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Nobuhle Mcetywa

Jhb, Gauteng, South Africa

Dec 17, 2012

Coming for me, coming for me, then with what joy His dear face I shall see .....longing for that glorious morning when face to face I will behold Him who died for me and that of my dear mother who has been gone for 12 years now.

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Marilyn Meade

Huntington, WV, United States

Dec 6, 2011

Sang this song Sunday at church. Had not heard it for a long time. Beautiful and the song was used just before communion. Made it more meaningful with the words for communion.

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Dennis LaVallee

May 8, 2010

Thanks for posting this lovely hymn. I have a brother in Christ who often quotes a part of this hymn and as I was reading Isaiah 53 this morning, the words of this lovely hymn came to mind. How beautiful is our Saviour and worthy of all our praises!

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