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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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English334
1
A wonderful Savior is Jesus my Lord,
A wonderful Savior to me;
He hideth my soul in the cleft of the rock,
Where rivers of pleasure I see.
 
He hideth my soul in the cleft of the rock
That shadows a dry, thirsty land;
He hideth my life in the depths of His love,
And covers me there with His hand,
And covers me there with His hand.
2
A wonderful Savior is Jesus my Lord,
He taketh my burden away;
He holdeth me up and I shall not be moved,
He giveth me strength as my day.
3
With numberless blessings each moment He crowns,
And, filled with His fullness divine,
I sing in my rapture, oh, glory to God,
For such a Redeemer as mine!
4
When clothed in His brightness, transported I rise
To meet Him in clouds of the sky,
His perfect salvation, His wonderful love,
I’ll shout with the millions on high.

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David Osah

Calgary, AB - Alberta, Canada

Aug 6, 2025

Whenever I feel downcast, despondent, this song always cheer me up, assuring me of my Saviour, Jesus love and presence.

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Sundaychimduluem Cyril

Lagos, Nigeria

Aug 3, 2025

If only we can trust in this God whom we serve, there would be no room for fear, because He lives in us, and will never leave us nor forsake us, hallelujah Amen

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Patrick

Akra, Ghana

Jul 29, 2025

He will always cover me with his love

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Esther From Kenya

Nairobi, Kenya

Jun 11, 2025

Wow.... all praises belong to You Lord

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S. Hong

Streamwood, IL, United States

May 4, 2025

He holds us up and we shall not be moved for He gives us strength.

We shall sing in our rapture, Oh glory to God!

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Renate Ramdhan

Rockwall, TX, United States

Feb 18, 2020

Here in this song, what a wonderful reminder of how He covers us with His great hands. There’s nothing to fear when I know He covers me.

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Lilian Prosper

Bungoma Kenya, Western, Kenya

Feb 5, 2020

We are more than conqueres through Christ Jesus. Ooh how wonderful it is to to commun with him on a daily basis

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Lenica Barbu

Alba Lulia, Transilvania, Romania

Feb 1, 2020

Un cantec complet! Si melonia si versurile merg drept la inima.

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Beverly Small

Virginia Beach, Virginia, United States

Jan 30, 2020

What a beautiful song when I hear it, my heart just fills with joy, and it seems it was written for me. I been going through a very tough time, laying down in bed just meditating and this song came to me, I haven't heard it on so long but as it came in my spirit and I was singing it in my heart, years were running down my cheeks uncontrollably, so I reached for my tablet that was laying beside me I read tonight the entirety of James chapter 5. I looked up this song. Thank God for the writer of it. 🙏.

🙏

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Tom

Milwaukee, United States

Jan 18, 2020

Oh Glory to God for such a Redeemer as mine!

The Lord took me to task a few days ago: "You trust my creation don't you?", "You don't think that if you're in a bad mood, or sinned recently, the sun won't come up, do you???". "That is all true Lord." "So do you think my redemption is weaker than my creation? Do you think where you're at or what you feel influences its power?" "Well Lord, when you put it that way, it does make me feel a bit sheepish." "Let me put it plainly to you, Tom: My redemption is infinitely more powerful than my creation. It is more deeply anchored in me, and NOTHING can get in its way. Do you believe this?" "Stop living like you need to walk on eggshells. Stop living the careful life. My redemption is the most solid rock in this universe. And it is all for you to enjoy! Trust it in the same way that you trust the creation. It is immovable" "Amen Lord, Hallelujah! Thank you for being such a powerful and loving redeemer. And thank you for taking me to task, my life is forever changed. Glory to God!!"

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