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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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English334
1
A wonderful Savior is Jesus my Lord,
A wonderful Savior to me;
He hideth my soul in the cleft of the rock,
Where rivers of pleasure I see.
 
He hideth my soul in the cleft of the rock
That shadows a dry, thirsty land;
He hideth my life in the depths of His love,
And covers me there with His hand,
And covers me there with His hand.
2
A wonderful Savior is Jesus my Lord,
He taketh my burden away;
He holdeth me up and I shall not be moved,
He giveth me strength as my day.
3
With numberless blessings each moment He crowns,
And, filled with His fullness divine,
I sing in my rapture, oh, glory to God,
For such a Redeemer as mine!
4
When clothed in His brightness, transported I rise
To meet Him in clouds of the sky,
His perfect salvation, His wonderful love,
I’ll shout with the millions on high.

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Sam Falsis

Kabul, Afghanistan

Aug 29, 2008

Being away from my family and my local church and being plunged alone into an islamic country is very lonely and difficult. But I thank Jesus my Lord who has always with me all these years. He gives me joy and security despite of the highly insecured environment I am working with. Indeed, He is my Wonderful Savior. I cannot help but cry out of gratitude to the Lord Jesus Christ for saving me and loving me despite of who I am. Praise the Lord! I like the last stanza so much. What a hope we have in Jesus our Wonderful Savior!

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Gabriel Tamatey

Accra, Nungua, Ghana

Mar 26, 2008

oh how wonderful it is to know that Jesus is my savior, it gives me joy and assurance each time i sing this song for my hope is made perfect in him

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D.Livingston Samraj

India

Oct 27, 2007

I like this because the Lord has been so wonderful to me in all my ways.

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Adenike Odunuga

Abuja, Nigeria

Mar 8, 2007

I like the music of the song. I especially like the way the last and last but one lines of the chorus are sang. In addition this Song reminds me of that fact the Jesus bore a lot for me as a Saviour dying on the tree and is still much working for me, keeping evil away -hiding me in the rock.

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Mario Endrinal

Batangas City

May 16, 2006

The most wonderful is when this Jesus came in this earth to save us. Imagine that our Lord is also our Savior. So, I really love this song and I like to sing it. Amen amen amen!!!!!!!!!!!

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Elias C. Bayking, Jr.

Jakarta, Indonesia

Jul 7, 2005

I like this song simply because of it's intrinsic meaning of the Lord's love to me (us). I feel relieved and encouraged everytime I played this song.

Being far from home (Philippines), and working in a Muslim dominated country, I can't help but miss my loved ones but this song gives me joy and comfort and reminds me how the Great One above takes care of me. Hallelujah!

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Mike Bledsoe

Canton, TX, U.S.A.

Sep 13, 2004

I love this song because it brings great joy to my heart to think of how wonderful my Savior is! He loved me when I was so unloveable. I spent a long time out of fellowship with Christ and I was miserable. He brought me back and welcomed me with loving arms. My goal is to finish my life strong in my walk with the Savior who died for me and to tell the wonderful news of the gospel to everyone.

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June

Ireland

Apr 18, 2004

I love this song because I really think Jesus is a wonderful Saviour; He came to me when I was a poor, lost, lonely seven-year-old and He rescued me from a life not worth living, from standing on the edge of the harbour planning to jump in. He has always forgiven me for all my failings as a Christian. Having not been brought up in a Christian home made it difficult at times to fit in and be accepted by other Christians who have misunderstood my actions and behaviour from bad conditioning, but thank the Wonderful Saviour, He understands us at all times and can find out nothing about us that will put Him off us. I just cannot begin to tell you how wonderful it is to have known him for 43 years and He is more precious to me now than ever before.

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Jen

Queensland, Australia

Feb 15, 2004

I like John, being brought up in a Christian enviroment, was a brainwashed Christian for 28 years, and not knowing any better. Then the Lord said "Be still" by causing a problem with my feet. During this time I had felt the Holy Spirit convict me and lead me into the way and the plan the Lord had for my life. So I have a wonderful Saviour who waited and protected me for many years, until it was His time.

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Joyce Jackson

Salt Lake City, UT, U.S.A.

Sep 9, 2003

I discovered I had a large ovarian cyst which had to be removed immediately and was told after the surgery that it was cancerous. The surgery team concluded that I need a complete hysterectomy which I definitely did not want and found out later I did not need. I had been recruited from another state for the job in which I was currently working and had no family or friends to lean on for support or comfort. This song made me realize that I had a friend "who sticketh closer than a brother." The Lord came to my aid and made me know I was not alone.

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