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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Once I was bound by sin’s galling fetters

Assurance and Joy of Salvation Freed by the Lord

English310
1
Once I was bound by sin’s galling fetters,
Chained like a slave I struggled in vain;
But I received a glorious freedom,
When Jesus broke my fetters in twain.
 
Glorious freedom, wonderful freedom,
No more in chains of sin I repine!
Jesus the glorious Emancipator,
Now and forever He shall be mine.
2
Freedom from all the carnal affections,
Freedom from envy, hatred and strife;
Freedom from vain and worldly ambitions.
Freedom from all that saddened my life.
3
Freedom from pride and all sinful follies,
Freedom from love and glitter of gold;
Freedom from evil temper and anger,
Glorious freedom, rapture untold.
4
Freedom from fear with all of its torments,
Freedom from care with all of its pain;
Freedom in Christ my blessed Redeemer,
He who has rent my fetters in twain.

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Nathan Ofsthun

Romford, Essex, United Kingdom

Feb 27, 2014

"Freedom from care with all of its pain"

When these words first touched me, I was so released. I realized that in my life things that I cared about (even cared for in a good way) brought so much pain. I realized that I really needed to be freed from caring, but I couldn't. But, glorious freedom is not found in our trying to stop being the way we are. That kind of human effort to change and adjust ourselves results in more pain.

But, hallelujah! One day I found that this glorious freedom is found in a Person! Freedom is in Christ Jesus our glorious Emancipator. I love this Person.

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Jon

Moncton, New Brunswick, Canada

Feb 21, 2013

I was raised in an Evangelical, Christian, missionary home and grew up thinking I was a Christian and trying to live like one. I did not know that I wasn't a Christian until Jesus brought me to utter despair and then saved me on the night of Sept 19, 1999 at the age of 38 in the kitchen of my home. Glorious Freedom.

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Rishie

Glen Innes, NSW, Australia

Jan 16, 2013

I've fallen into some sin in my life that I'm struggling to get free of. This song is a great reminder I can be free in Christ. Thank you Jesus for my liberty! I claim it right now in Jesus' name! Amen.

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Eileen Lones

Decatur, Illinois, United States

Sep 10, 2011

This hymn came to my mind as I realized I was free of fear and guilt! I had been so afraid of the future since my husband was diagnosed with brain cancer and with massive medical bills. I then became fearful that I had not done God's will in helping fellow Christians who were in other types of bondages. I was so glad to find this site and the words and music of the song that was playing in my head and heart. I want to stay free so I can continue to have peace and thereby glorify my Lord Jesus Christ.

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A Dust

Houston, TX, United States

Aug 26, 2011

The experience I had when I was saved by the Lord, even now I can still experience it whenever I turn from the world and the self to the Lord. Praise Him all my life!

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Anonymous

London, United Kingdom

Aug 20, 2009

Once I was bound by sin's galling fetters,
Chained like a slave I struggled in vain;
But I receive a glorious freedom,
When Jesus broke my fetters in twain.

I had this exact experience until some Christians opened up the Scripture to me so I could receive Jesus and be set free. If anyone reading this is a captive of sin, as I was, Jesus can help you!

Hallelujah!

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Marcia Flores

Calgary, AB, Canada

Jul 14, 2008

This song touched me so much. Even though I was saved at a young age, I never realized how much saving I need on a day to day, and even moment by moment basis. The Lord Jesus is our wonderful Triune-God Man-Savior, saving us from Satan, the world, and the self. May we learn to live by His life and experience true freedom in Him.

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Paul Jimenez

Santa Monica, CA, U.S.A.

Nov 23, 2005

What a glorious Emancipator. He truly has set me free from all evils in the world. Oh Lord Jesus. Thank You!

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