Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

God’s Christ, who is my righteousness

Assurance and Joy of Salvation Justified in Christ

English295
1
God’s Christ, who is my righteousness,
My beauty is, my glorious dress;
Midst flaming worlds, in this arrayed,
With joy shall I lift up my head.
2
Lord, I believe Thy precious blood,
Which, at the mercy seat of God,
Forever doth for sinners plead,
For me, e’en for my soul, was shed.
3
Lord, I believe were sinners more
Than sands upon the ocean shore,
Thou hast for all a ransom paid,
For all a full redemption made.
4
Bold can I stand in every way,
For who aught to my charge shall lay?
Fully, by Thee, absolved I am
From sin and fear, from guilt and shame.
5
This spotless robe the same appears,
When ruined nature sinks in years;
No age can change its glorious hue,
Its glory is forever new.
6
Thou God of power, Thou God of love,
Let all Thy saints Thy mercy prove;
Our beauty this, our glorious dress,
Jesus the Lord, our Righteousness.

Delete Comment

Delete this comment? This cannot be undone.

Dawn Citto

Cape Town, Western Cape, South Africa

Jun 9, 2020

Amen, Ohhh Lord, Amen, Hallelujah!!
What a Word... No Age can Change its Glorious Hue!
Its Glory is forever NEW>
Fully by Thee, Absolved I am...
From sin, guilt, fear & shame!

Thank you dear precious Lord, for such a marvellous salvation.

We praise YOU forevermore!

Read more
Allen In Christ

Nigeria

Jan 22, 2020

Bold can I stand in every way,
For who aught to my charge shall lay?
Fully, by Thee, absolved I am
From sin and fear, from guilt and sham

In the Blood, no one can lay a charge on me, not Satan, not him, not her not anybody. For in the blood I’m just Christ before God.

Read more
Ana Lara

United States

Dec 4, 2019

Count Nicolaus Ludwig Von Zinzendorf was the founder of the Moravian Missions. He came from a long line of nobility. He was born May 26, 1700 at Dresden, Germany. His father was known for his piety and was a Prime Minister at the Saxon court but died soon after Nicolaus was born. Like Timothy he had a godly mother and grandmother; so from his youth he was in close contact with the word of God. As a child he had the ability to gather children together to pray!

In 1740 in reflecting on his early years he said, "It is more than 30 years since I received an impression of divine grace through the preaching of the cross. The desire to bring souls to Christ took possession of me and my heart became fixed on the Lamb."

He started writing hymns at a very young age. In all he wrote about 2,000! The painting of the crucifixion by the artist Stenberg which was hung in the galleries at Düsseldorf with the words on the frame “All this I did for thee, what hast thou done for Me?" Zinzendorf saw this painting in 1719 in a tour to Düsseldorf, he came upon it at a gallery. He was deeply touched by the question in the painting and resolved to live for the Lord.

He married on September 7, 1723 to the Countess Ermuth Dorothea, sister to his friend Count Reuss and it was a happy marriage for both. Not long after he came in contact with persecuted followers of John Huss ( burned at the stake in 1415) who were scattered around by the enemy. He bought an estate named Berthelsdorf in Saxony at the foot of a hill called Hutberg ( meaning Shelter Mountain) which he changed to “Herrnhut” which means “The Lord’s Shelter. ” Here he allowed them to live and eventually became their leader. From there the Word of the Lord sounded out to the regions beyond—- Greenland, Labrador, Patagonia, West Indies, America and Europe. He spent much time in London and it was there that he helped bring John and Charles Wesley to Christ.

His wife was taken from him June 19, 1756, and a year later he remarried Anne Nitschmann who was not a nobility but was one with the sisters in Herrnhut. Here he spent his last years in peace and quiet. Then on May 5, 1790 he caught a fever of which he did not recover. His strength dwindled and on June 9, close to age 60, he went to be with the Lord whom he had so faithfully served. Just before his departure he said to his son-in-law, ” I am going to the Savior. I am ready; I am quite resigned to the will of my Lord. If he is no longer willing to make use of me here, I am quite ready to go with Him. ”

His coffin was carried by 32 preachers, who happened to be at Herrnhut at the time. They had been trained by him for the work of the Lord which took them to distant parts all over the world. Over two thousand attended the funeral to the burying place. One asked, ” What monarch was ever honored by a funeral like this? ”

Read more
Ana Lara

United States

Dec 3, 2019

John Wesley, the founder of Methodism, was born on June 27, 1703 at Epsworth Rectory. He was the eldest of the Wesley Brothers. When he was six years old (1709), he was rescued from the Rectory house which was burned down. He always remembered this: God had a work for him to do and was preserved him for it.

In 1729 while attending Oxford he found a group called the Methodists and immediately became their leader. It was a movement within the Church of England. Their main purpose was to conduct their lives and study by “rule and method”. His brother Charles and George Whitfield also joined. Even though they were Anglican, they were prohibited from preaching from the pulpit of the Church of England. Instead, they preached out in the open fields, barns, houses and anywhere they were permitted to. Their one weakness was that man once saved could lose his salvation.

When he was ordained a minister, he had not yet met the Savior. He went to America on a ship to preach the gospel to the Indians but not in the way of salvation but of religion. When he returned to London, he met the Moravians and was especially helped by Peter Boehler. Wesley says of him, “I was clearly convinced of unbelief and of the want of faith whereby alone we are saved. ”

In 1738, while John was listening to the preface to the book of Romans, as written by Martin Luther, he was brought face to face with God’s word and remarked, “While he was describing the change which God works in the heart, through faith in Christ, I felt my heart strangely warmed; I felt I did trust in Christ, Christ alone, for salvation; and an

assurance was given me that He had taken away my sins, even mine! ”

John did not write as many hymns as Charles but he is said to have preached forty thousand times and traveled 250, 000 miles. Many souls were brought to Christ through his earnest and zealous preaching.

In 1791 after preaching in the parlor of the magistrate at Leatherhead near London, he returned home fatigued and ill. His text had been, “Seek the Lord while He may be found. ” The Lord took him home on March 2, 1791, after a life full of service for God, at the age of 88.

The stanza in this hymn befits his experience in salvation and in his living:

“ The Lord of life in death hath lain
To clear me from all charge of sin;
And, Lord, from guilt is crimson stain
Thy precious blood hath made me clean. ”
“Clad in this robe, how bright I shine!
Angels possess not such a dress;
Angels have not a robe like mine, —
Jesus the Lord’s my righteousness. ”

Although this hymn is not found in hymnal. net, hymn, 295, which was written by Count Zinzendorf was translated by John Wesley.

Read more
Allen In Christ

San Marcos, TX, United States

Feb 8, 2019

Oh this hymn is so deep! Even the title touches my being. “GOD CHRIST WHO IS MY RIGHTEOUSNESS”. Satan needs to hear these over and over again. The overcomers are those who enjoy and value the blood. Oh open our eyes Lord to see what You’ve done and not what we are.

Read more
Yoonsik, Levi Joo

Vancouver, BC, Canada

Feb 3, 2019

Thank You Lord for shedding blood for such a sinner in order to cleanse and justify. How I cannot say You are my Lord, love and righteousness. I regret and repent my life. Show me how to live rest of my life. I cannot believe in myself. Live out through me. I want to express You.

Read more
Maka

Johannesburg, South Africa

Jan 10, 2019

God’s Christ, who is my righteousness,
My beauty is, my glorious dress;
Midst flaming worlds, in this arrayed,
With joy shall I lift up my head.

Read more
Eric Chong

San Francisco, CA, United States

Oct 14, 2018

Hallelujah we are of God in Christ Jesus! This One is our righteousness. Thank the Lord He satisfied God’s righteous requirements so He could pay a ransom for us. We have full redemption! Praise Him!

Read more
Glory Jung

Anaheim, CA, United States

Oct 9, 2018

Lord, I believe that when You ascended to the throne, You brought Your own blood. That blood allows me to stand before God with boldness because the entire situation has been appeased.

Read more
Alexander

Russia

Nov 5, 2015

Last night I was impressed with the first stanza afresh.
O, Lord, amen, hallelujah!
"Midst flaming worlds, in this arrayed,
With joy shall I lift up my head."!!!!!

And I also enjoy the verse the way it's been translated into my language (Russian):

"Среди пылающих миров

Ликую я Ты мой покров."!!!!!!!!

Read more