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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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On the table of Thy love

Praise of the Lord Remembrance of Him

English223
1
On the table of Thy love,
With the bread, the cup is spread.
By partaking of these signs,
We with Thee are richly fed.
How we thank Thee for this cup,
For the cup of blessing, Lord,
Cup of Thy Salvation full,
Cup of all Thou dost afford.
2
’Tis the blood Thou shedd’st for us,
That our sins may be forgiv’n;
’Tis the cov’nant made for us,
That Thy blessings may be giv’n.
Thou didst drink the cup of wrath,
Thou hast tasted death for us,
Thus the cup of blessing bought,
As the portion gained for us.
3
In this portion we have God,
Whom we lost thru Adam’s fall;
By the shedding of Thy blood,
God becomes our all in all.
In this portion all we have—
Life and peace, redemption sure;
All that God has planned and willed,
In this portion we secure.
4
An eternal portion, ’tis,
Overflowing cup divine;
Heav’nly taste do we enjoy
In this cup of God’s design.
Here in love we drink this cup
In remembrance, Lord, of Thee;
Thus in spirit we partake
All Thy work on Calvary.

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Miguel Soltero Jr.

Farmington, MI, United States

Oct 5, 2025

By the shedding of Thy blood, Lord, God becomes our all in all! We have everything in this portion! Life, peace, redemption sure! All that God has planned and willed, in this portion we secure!

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Rakshit

Hyderabad, India

Sep 14, 2025

I love for the table Lord

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Un Hermano

Aug 18, 2025

a. His Blood and Body for the Believers’ Fellowship

In 1 Corinthians 10:16 Paul says, “The cup of blessing which we bless, is it not the fellowship of the blood of Christ? The bread which we break, is it not the fellowship of the body of Christ? ” Here the word fellowship refers to the believers’ communion in the joint participation in the blood and body of Christ. This makes us, the participants in the Lord’s blood and body, not only one with one another but also one with the Lord. We, the participants, make ourselves identified with the Lord in the fellowship of His blood and body. The apostle’s thought here is to illustrate how eating and drinking make the eaters and drinkers one with what they eat and drink.

The believers’ fellowship implies their mutual enjoyment of Christ by eating and drinking Christ. In ancient times, when people gathered together for fellowship, they feasted by eating and drinking. The children of Israel brought their produce of the good land to the feast, offered it to God, and feasted with God and with one another for their enjoyment. Likewise, the Lord’s table is the Lord’s feast. When we come to the Lord’s table, we come to a feast of two courses, His blood and His body, both of which are for the believers’ fellowship.

The fellowship of the blood and the body of Christ implies that Christ’s blood is separate from His body, indicating that it is now possible for us to feast on Him. In order to become our feast, Christ, the Son of God, had to be processed. In verse 16 we see that His blood and His body are now on the table, a place of feasting. This implies that Christ has been incarnated, crucified, and resurrected. If Christ had not been incarnated, He could not have blood and a body. If He had not been crucified, His blood could not be separated from His body. If He had not been resurrected, He could not be on the table as our food. In other words, through incarnation Christ put on a human body with blood and flesh ( Heb. 2:14 ), through crucifixion His blood was separated from His body ( John 6:53-55 ), and in resurrection He is served to us on the table as a feast for our nourishment and enjoyment. Therefore, on the table we see Christ’s incarnation, crucifixion, and resurrection.

The Conclusion of the
New Testament:
Message 311 (LSM)

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Taylor

Texas, United States

Jul 11, 2025

How we thank Thee for this cup,
For the cup of blessing, Lord!
Cup of Thy Salvation full,
Cup of all Thou dost afford!

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Djchow

Centennial, CO, United States

Jun 29, 2025

"How we thank Thee for this cup,

For the cup of blessing, Lord!"

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Nicole Ho

Ann Arbor, Michigan, United States

Jun 29, 2025

The Lord is our eternal portion, in this portion we have everything!

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Jeffrey

Oct 27, 2024

God blessings amen

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DJ Chow

Centennial, Colorado, United States

Sep 8, 2024

"By the shedding of Thy blood, God becomes our all in all."

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Tu Yung

吉亞特城, China

Aug 18, 2024

阿門我們愛你主🙏🙏 🇨🇳🇨🇳🇨🇳🇨🇳

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Maryann Marquez

Victorville, CA, United States

Aug 4, 2024

Psalms 73:26 Thou my flesh and heart fail; Jehovah is the stone of my heart and my portion forever!

Praise the Lord! He is our portion forever!

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