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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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O Jesus, Jesus, dearest Lord

Praise of the Lord Satisfaction with Him

English208
1
O Jesus, Jesus, dearest Lord!
Forgive me if I say,
For very love, Thy sacred name
A thousand times a day.
 
O Jesus, Lord, with me abide;
I rest in Thee, whate’er betide;
Thy gracious smile is my reward;
I love, I love Thee, Lord!
2
I love Thee so I know not how
My transports to control;
Thy love is like a burning fire
Within my very soul.
3
For Thou to me art all in all;
My honor and my wealth;
My heart’s desire, my body’s strength,
My soul’s eternal health.
4
Burn, burn, O love, within my heart,
Burn fiercely night and day,
Till all the dross of earthly loves
Is burned, and burned away.
5
O light in darkness, joy in grief,
O heaven’s life on earth;
Jesus, my love, my treasure, who
Can tell what Thou art worth?
6
What limit is there to this love?
Thy flight, where wilt Thou stay?
On, on! our Lord is sweeter far
Today than yesterday.

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Diane

Southern California, United States

May 4, 2016

Samson,

I could be wrong but the way I understand the line "Thy flight, where wilt thou stay" is like this...The writer's increasing love for God flies like a bird with wings, higher and higher. His love doesn't land or fly steady---it doth not stay in place. :) I think it's a beautiful image!

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Samson

Gurgaon, Haryana, India

Mar 25, 2016

Can someone please help me to understand the meaning of the second line of stanza 6, "Thy flight, where will Thou stay?" in the context of this hymn?

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Rockwell Smith

Kennewick, Washington, United States

Jan 22, 2016

There is more to this hymn or poem. And it will shed light on the rest.

How Beautiful, how beautiful the sight of Thee must be,
Thine endless wisdom, awesome power and glorious diety.
Then the rest of the verses as listed.

So enraptured with Who He is, that out of your reciprocating love for Him, you breathe His name with every breath. Because He alone is worthy.

Blessings friends.

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Liz

Davao, Philippines

Dec 3, 2015

Oh Jesus Lord, with me abide, I rest in thee whate'er betide. Thy gracious smile is my reward; I love, I love Thee Lord. Amen....

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Anna C Gibbs

Denton, Texas, United States

Apr 13, 2015

O Lord Jesus! Open my mouth to call on Your Name a thousand times a day!

Lord, dearest Lord! Your gracious Smile is my reward!

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Charles Wayne Hennessy

Tucson, Arizona, United States

Oct 16, 2014

In some of the early days, when we who were there became 'crazy' lovers of Jesus, we made a change in some of the lines of this hymn. We would sing, "O Jesus, Jesus, dearest Lord, I love, I love to say, for very love Thy sacred Name a thousand times a day" and "Thy very self is our first love, we love, we love Thee, Lord."

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Steve Miller

Detroit, MI, United States

Aug 8, 2014

@Carla Bestetti 3/30/2012. If I was going to say my dear wife's name 1,000 times in 1 day for very love, I would ask her to forgive me for saying her name so often, which might annoy her, since calling someone's name demands his attention.

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Stanza 5, line 2 originally says, "O heav’n begun on earth;".

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Born in England, Faber was raised as a strict Calvinist by his father. After graduating from Oxford, he became a minister in the Anglican Church. Influenced by the Oxford Movement, he joined the Catholic Church and became known as Father Wilfred. He noticed a lack of congregational hymns in the Catholic Church and set about to remedy the situation. His hymns promoted the history and teachings of Catholicism. Although he died at the age of 49, he managed to write 150 hymns. - Songs of the Spirit by Faber

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Marcos

Rio De Janeiro, Brazil

Jul 28, 2014

Carla Bestetti,

I think the author means if he still says the Lord's Name one thousand times it will still be not enough!!! If I call upon His name a thousand times a day it will be still a few for what He is for us and the fellowship He wants to give us!! Oh Lord Jesus! Oh Lord Jesus!! A thousand million times! Oh Lord Jesus!!

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Roger Hsu

May 18, 2014

Lord Jesus' love has no limits!

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Nnamani Francis

Coal City, Enugu, Nigeria

Jan 2, 2014

I love the song. It's like heaven is near when its received.

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