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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O Lord, as we consider Thee

Praise of the Lord His All-Inclusiveness

English190
1
O Lord, as we consider Thee,
We worship Thee for all Thou art;
Thou art so rich, so wonderful,
So dear and precious to our heart.
 
What Thou art meets our every need!
Our hearts o’erflow with praise to Thee!
All our desires Thou dost exceed
And satisfy continually.
2
Thou art the very God in truth,
The God who is both love and light;
The God who is to us our life,
The God in whom we all delight.
3
Thou also art a man indeed,
A man so fine, so good, so pure;
A man in whom our God delights,
A man who can our love secure.
4
Thou even art a lowly slave,
A slave of God to serve for us;
Obedient to the cross’s death
That we might be delivered thus.
5
Thou art, beside all these, a King,
A King in life and love to reign,
By God anointed with His pow’r
To rule with us in His domain.
6
Dear Lord, as we remember Thee,
We thus partake of all Thou art;
As we enjoy Thyself in love,
We share Thee as Thy counterpart.

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Nanette Geronimo

Auckland, New Zealand

Jan 6, 2024

Praise you Lord for who you are!!! You are so dear and precious to our heart.

You meet all our needs. We worship and thank you that we have you as our portion, satisfying all our desires continually.

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James Smith

Mansfield, Ohio, United States

Dec 21, 2023

I love this hymn. The first line I slightly modify ”0 Lord when I consider thee [you], I worship thee [you] for all you are”. This comes to me many mornings. Lord you are so rich and wonderful!

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Anonymous

Lubbbock, Texas, United States

Dec 10, 2023

O Lord, as we consider Thee,

We worship Thee for all Thou art;

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Vanessa

Tampa, Florida, United States

May 21, 2023

Amén!

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Sister Vali Ruth

Tirane, Albania

May 21, 2022

Ti je gjithcka qe duam ne!
Me zemer t'thurim ne lavdi
Deshirat Ti na tejkalon ,
Na jep paprer' kenaqesi!

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Josue Vidad Magsanay

Rosario, Cavite, Philippines

Mar 13, 2022

Lord, You are so dear and precious to our heart.

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Anonymous

Oct 17, 2021

實實在在你真是神,
是那是光是愛之神;
是神,你作我們生命,
是神,你向我們賜恩。
你之所是正合我需!
我心對你讚美洋溢!
我之所願你全滿足,
綽綽有餘,應付不已!

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Stephen Aizon

Glenfield Auckland City, AKL, New Zealand

Nov 28, 2020

Praise the Lord!! we remember Thee,
We thus partake of all Thou art;
As we enjoy Thyself in love,
We share Thee as Thy counterpart

Read more
Maeriehl Joy

Philippines

Aug 21, 2020

The first line in stanza four: "Thou even art a lowly slave" corresponds with Philippians 2:6-7ー Who, existing in the form of God, did not consider being equal with God a treasure to be grasped, but emptied Himself, taking the form of a slave, becoming in the likeness of men.

How marvelous this is that He was willing to lay Himself aside, humble Himself and take the form of a slave, to serve us, to meet our every need, exceeding even all our desires, and to satisfy us continually.

Lord, how we praise You for who You are!

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Lui Lee Eliza

Apr 12, 2020

We are enjoying this hymn in Turkish ... a Zoom meeting with saints from Istanbul, Los Angelas and Hong Kong... HE meets all our need .. satisfying continually ...

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