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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Rejoice! Rejoice! Our Bridegroom’s coming

Hope of Glory The Wedding Day

English1315
1
Rejoice! Rejoice! Our Bridegroom’s coming,
And the time will not be long
Before we hail that wedding morning
And lift up the glad new song.
 
Oh, wondrous day! Oh, glorious morning,
When the Christ we love shall come:
With vessels filled and lamps all burning
Let us welcome His return.
Rejoice! Rejoice! Our Bridegroom’s coming
And the time will not be long
Before we hail that wedding morning
And lift up the glad new song.
2
Oh, let us now redeem each moment,
More the precious oil to buy,
And have our vessels filled with ointment
Ere we hear the midnight cry.
3
Oh, what a joy it is preparing
For our wedding with the Lord,
E’en in the tribulations sharing
For the bliss of such reward!
4
Oh, with what rapture and rejoicing
Shall the wedding day begin;
And then a thousand years of dining
At the marriage feast with Him!

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A Brother

United States

Mar 24, 2025

(2) To prepare the bride as the counterpart of the Bridegroom for the eternal marriage of the redeeming God with His redeemed.

The direction of the Lord’s move today is, second, to prepare His bride, the church, as His (the Bridegroom’s) counterpart (John 3:29-30) for the eternal marriage (Rev. 19:7-8), the universal marriage, of the redeeming God with His redeemed people (Rev. 22:17; 21:1-2, 9b-10). This universal marriage is typified by the union of the people of Israel with their redeeming God (Isa. 54:5; Hosea 2:19) and is clearly revealed in the New Testament (Eph. 5:25-27, 32).

(3) To bring in the kingdom of God as the spreading of the divine life for God’s eternal administration in the fulfillment of His eternal economy.

Elders' Training,
Book 10:
Chapter 2 (LSM)

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Maria L

Fremont, California, United States

Feb 27, 2025

Lord, we want to live a life of buying an extra portion of the Spirit to saturate our entire being! May we pay the little price we have to pay today to gain the extra portion of the Spirit in our soul! We love you Lord Jesus 😀

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Taylor

United States

Apr 4, 2024

Oh, let us now redeem each moment,
More the precious oil to buy,
And have our vessels filled with ointment
Ere we hear the midnight cry!

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Raul Ramirez

Arvada, Colorado, United States

May 26, 2023

Oh, what a joy it is preparing today, with the saints, for our wedding with the Lord!

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Sister Vali

Tirane, Albania

May 13, 2021

Rejoice! Rejoice! Our Bridegroom’s coming

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Olga Radita

Liverpool, United Kingdom

Nov 22, 2020

Oh, what a joy it is preparing
For our wedding with the Lord.
Hallelujah!

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A Brother

Los Angeles, CA, United States

Oct 14, 2020

We are waiting for our bridegroom

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Wayne Weiser

Buffalo, New York, United States

Dec 25, 2013

The great wedding day is coming! Whether by natural death or by Rapture...we shall see the King!

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Huyen Nguyen

Soc Trang, Vietnam

Jul 14, 2011

Amen!Let's keep looking away from everything unto Jesus! Rejoice! Rejoice! Our Bridegroom is coming soon! O Lord, keep us loving You and rejoicing in You always! :)

"Blessed is the man who endures trial, because when he has become approved by testing, he will receive the crown of life, which He promised to those who love Him." James 1:12

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Sis LC

New Zealand

May 1, 2011

Amen! Rejoice!

We must learn to rejoice in all kinds of situations. Our situation will pass away. The reality is that we are preparing for our Bridegroom's coming. This is one thing we can be sure of. Let's be sober-minded. Rejoice at the real situation!

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