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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Recall how David swore

The Church Consecration for the Church

English1248
1
Recall how David swore,
“I’ll not come into my house,
Nor go up to my bed,
Give slumber to mine eyelids,
Until I find a place for Thee,
A place, O Lord, for Thee.”
Our mighty God desires a home
Where all His own may come.
2
How blinded we have been,
Shut in with what concerns us;
While God’s house lieth waste—
Lord, break through, overturn us;
We’ll go up to the mountain,
Bring wood and build the house;
We’ll never say, “Another day!”
It’s time! We’ll come and build!
3
O Lord, against these days,
Inspire some for Your building,
Just as in David’s day—
A remnant who are willing
To come and work in Your house,
Oh, what a blessed charge!
Your heart’s desire, is our desire—
We come, O Lord, to build.
4
Within those whom You’d call
Put such a restless caring
For building to give all—
These times are for preparing;
The gates of hell cannot prevail
Against the builded Church!
The hours are few, the builders too—
Lord, build, O build in us!

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Agaphe M.

Cagayan De Oro, Misamis Oriental, Philippines

Mar 12, 2012

This song reminds me of "Christ and the Church". That I should take part of building the church of God. Oh, Lord Jesus!

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Anne Charis G. Nadayag

Iligan City, Lanao Del Norte, Philippines

May 14, 2011

Even our salvation, is all for the building up of God's house. Hallelujah!

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Lily Tapel

Manila, Philippines

Dec 30, 2010

David is an example of an overcomer who cares not for his own pleasures and enjoyment but for the house of God. I was really touched with the first stanza where he swore before the Lord. what an unselfish prayer! May we be those who pray, "Lord I want nothing for myself. I want everything for You and for the Lord's recovery."

OUR ENJOYMENT OF THE LORD IS FOR THE BUILDING UP OF THE HOUSE OF GOD, FOR THE BUILDING UP OF THE BODY OF CHRIST!!

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Doris Chen

United States

Nov 30, 2010

Praise the Lord the gates of hell cannot prevail
Against the builded Church!
Oh The hours are few, the builders too—
Lord, build, O build through us!

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Sardius Tan

Quezon City, Philippines

Aug 28, 2010

Lord inspire us in Your Building, Like David.

Come Lord Jesus!!

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Jane Chu

Hong Kong, China

Nov 1, 2009

The song is always a wakening call to return to the Lord's heart's desire and to His calling. Lord, deliver us from our ceiled houses, our small universe, to be well-pleasing to You for Your interests on the earth!

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Wendy :) Risso

United States

Oct 1, 2009

Amen saints, It's time. Lets come and build!

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Euffie

Canada

Sep 17, 2009

Yes... how blinded we have been, often care for our own interest first... This song is good reminder to us that God also has an interest, just recall how David swore that he will not go into his house, nor go unto his bed and give slumber to his eyelids. Praise the Lord that He desires the builded church! May we become the few remnants that go up to the mountain and bring wood to build up His house today! Amen!

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Melanie Paglalunan Gatos

Gamagorishi Prefecture, Aichi-ken, Japan

Sep 17, 2009

AMEN! Hymns that we enjoyed and sang before causes us and reminds us to turn and remain in our spirit, think and decide, pursue and gain Christ for God's building just as in David's day to come up to build God's house. HALLELUJAH!!! We must be built up in Christ.

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madelene I. camacam

Santiago Citty, Isabela, Philippines

Sep 14, 2009

Every time I hear and sing this hymn it always refreshes my heart to love Him and to desire for His building and I can't help myself but to consecrate again and again my being for the church. My husband and I sang this hymn during our wedding as our consecration to the church and until now this song always reminds us to go on gaining materials for His building. This preserves our heart up to this time to love Him and the church, not to waste time but diligently, absolutely and faithfully fulfilling His hearts desire. Lord continue to make us willing to come and build in Your house.

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