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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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God is righteous in His doings

Experience of God His Righteousness, Holiness, and Glory

English1203
1
God is righteous in His doings,
He is perfect in His ways;
Just is He in all His actions,
And He well deserves our praise.
Righteous was His condemnation,
Righteous His requirement;
For the law had deemed us sinners,
And for judgment we were meant.
2
Oh, how blest the love that spared us,
For the law had judged us dead.
God, to meet the righteous judgment,
Passed it on His Son instead.
Hallelujah! Our Redeemer,
Christ, to God has purchased us;
Now enjoying His redemption,
We become God’s righteousness.
3
God is holy in His nature,
Holiness is what He is.
In this way He sanctified us,
Makes our nature one with His.
Spreading from our quickened spirit,
He renews each inward part,
Moving into all our being,
Making home in all our heart.
4
Oh, how blessed is this process!
It’s the Lord’s life-saving way.
It’s our constant, real experience;
It’s our life from day to day.
As we’re minding just the spirit,
Then the mind is life to us,
And the Lord in us is gaining
Transformation marvelous!
5
Glory is God’s true expression,
All He is, in full, expressed;
Final stage of our redemption,
Bodily made manifest.
Glory is the consummation
Of this life which sanctifies;
Our complete transfiguration
Is the goal which life supplies.
6
’Tis for this we wait, expecting
To be raptured, glorified.
Then the earth will see God’s fullness;
Christ completely testified.
We fore’er will just express Him,
Nature will rejoice to see
All the sons of God in glory
Manifested finally.
7
By His mercy, we’re selected,
Ours a glorious destiny.
Not by running, nor by willing,
But through God’s own sovereignty.
Once we were wild olive branches,
Now the root and fat partake,
Grafted in, rejoice together,
Growing for the kingdom’s sake.
8
As we’re daily in this process
And by life are sanctified,
How we thank Him for the blessing
Of the church life He’s supplied.
Here God is our full enjoyment,
Practical and real to us;
Sons we are, and heirs together,
In the church life, glorious!

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Maria L

Fremont, California, United States

Jan 26, 2026

Lord Jesus, thank You for having mercy on us to select us and bring us into the kingdom of God. Hallelujah, it is not of him who wills nor of him who runs but of God who shows mercy! Lord, we thank You for Your mercy, bringing us to a condition where we can partake of Your love and grace! 🙏

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James Smith

Mansfield, Ohio, United States

Nov 16, 2025

This hymn is full of truth and it speaks of who God is and the glorious process we are in. Our mind must be renewed by minding just the Spirit. Minding the Spirit in our spirit is obedience and a cross to us. We must experience these things daily. Living in a church life makes this possible. This makes God practical and real to us, not in word only. We have seen Christ as reality. But that’s not enough. When we mind the spirit in our daily life then the Lord can gain us and He becomes a real joy to us.

Oh, how blessed is this process!
It’s the Lord’s life-saving way.
It’s our constant, real experience;
It’s our life from day to day.
As we’re minding just the spirit,
Then the [renewed] mind is life to us,
And the Lord in us is gaining
Transformation marvelous!

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Jack Petrash

Irving, TX, United States

Sep 15, 2024

In a marvelous way this hymn declares some of our God's divine attributes: His righteousness, love, holiness, and glory. Then it explains our subjective experience as normal Christians in the normal Christian church life. Praise the Lord!

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Clayton Walker

Wisconsin, United States

Mar 9, 2022

Just like growing up in the WELS. Marvelous, glorious, beautiful.

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Tyson

Dallas, TX, United States

Jan 21, 2014

There is something very interesting about this site....it is almost as if LSM has put this up. I really don't know anyone else who sings these hymns except them...and some house churches. The option of Chinese hymns is another clue--but thank you for putting them up here--I love them a lot, and was so glad to come across this site. I know it will help a lot of people.

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Barbara Nafziger

Milton-freewater, OR, United States

Jul 9, 2013

Thanks to the authors of these words and for the person who created this website for us to enjoy and be blessed by.

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Tim Jubb

Lakeworth, Florida, United States

Sep 9, 2008

This song is good.

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