Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

God’s Spirit His transmission is

Experience of God By the Spirit as the Transmission

English610
1
God’s Spirit His transmission is,
In Him God enters into us;
It is in Him that God in Christ
May be experienced by us.
2
God as the Father is the source,
And God the Son doth Him express;
God as the Spirit enters us,
That God as all we may possess.
3
The Father, who is veiled in light,
The Son to man hath fully shown;
The Spirit then transmitteth Him
That He may inwardly be known.
4
The Son within the Father is,
And now the Spirit is the Son.
The Spirit, Son, and Father God
Are now in us and with us one.
5
God as the Father in the Son
Has been embodied and expressed,
And God the Spirit is the Son’s
Reality to be possessed.
6
May God the Father’s love to us
In God the Son as grace be known,
Thru God the Spirit’s fellowship,
That God our portion we may own.

Delete Comment

Delete this comment? This cannot be undone.

Francis Y Chow

Church In New York City, New York, United States

Dec 21, 2025

Amen saints, we need to turn to our spirit

Read more
Maria L

Fremont, California, United States

Jun 3, 2025

We thank You, Lord, and we praise You for the eternal blessing of the Triune God. Thank You for causing Your face to shine on us. Thank You for lifting up Your countenance and giving us peace. Even though we suffer, we can enjoy You as grace. Praise the Lord, Christ came as grace for us to enjoy Him and participate in Him! 😀

Read more
Pedro Menéndez

Puerto Rico, United States

Oct 15, 2024

In John 17 Jesus prayed to the Father, saying, “That they all may be one; even as You, Father, are in Me and I in You, that they also may be in Us; that the world may believe that You have sent Me” (v. 21). The oneness for which the Lord prayed here is a coinherence, that is, a mutual dwelling of the Father, the Son, the Spirit, and the believers in one another. The Father is in the Son, the Son is in the Father, and all the believers are in the Father and the Son. In this way the believers share the oneness of the Divine Trinity. This kind of sharing indicates the dispensing of the Divine Trinity. He is dispensing, and we receive and enjoy the oneness that is in and among the Divine Trinity. Now, in addition to the Father, the Son, and the Holy Spirit, we become the fourth party in this oneness. Whether or not we can explain this, it is a fact that the oneness revealed in John 17 is a oneness of four parties. To include the fourth party in this oneness was not easy. The Lord accomplished many things to get into us and bring us into the Triune God, to make us one with the Triune God. This is all due to the divine dispensing.

The Central Line of the Divine Revelation Chapter 22 (LSM)

Read more
Brian

Louisiana, United States

Nov 20, 2020

The Grace of the Lord Jesus Christ, the love of God, & the fellowship of the Holy Spirit be with you all.

Read more
Ghenet Magos

London UK, South East Kiburn

Jun 26, 2016

I Love Hymns and I have difficult how to able to play the music Help AMEN

Read more