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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Praise the Lord, who firmly joined us

Fullness of the Spirit The Anointing, Sealing, and Pledging

English1121
1
Praise the Lord, who firmly joined us
Unto the Anointed One.
Thus we all have been anointed
With th’ anointing of the Son.
2
Now in Christ, in the anointing,
We are the anointed ones.
Oh, how blessed is this ointment
Poured upon the many sons!
3
Hallelujah, the anointing
Unto us God’s essence brings;
It is now abiding in us,
And it teaches us all things.
4
We’re the Lord’s peculiar treasure,
Purchased by His precious blood.
He has put His seal upon us,
We are those marked out by God.
5
Day by day we’re under sealing,
That we may His likeness share.
By the impress of His Person
We will Jesus’ image bear.
6
Now we have the pledge, the foretaste,
Of the Christ we soon will see.
We are longing for the full taste—
God, our feast eternally.
7
God has wrought us for this purpose,
Giving us the earnest here,
Guarantee of full enjoyment
Of our Lord Himself, so dear.
8
The anointing, seal, and earnest—
In our spirit are all three.
Such a wondrous, blest deposit
God has given you and me.

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Un Hermano

Sep 12, 2025

We must realize that the Triune God is the Spirit. Do not think that the Father is the Father, the Son is the Son, and the Spirit is the Spirit as separate persons. These three are the all-inclusive Spirit. Second Corinthians 3:17 declares, “The Lord is the Spirit. ” Second Corinthians 1:21-22 says that we have been firmly attached unto the anointed One. The anointed One is Christ, and He is the all-inclusive Spirit. We have been anointed and sealed and have been given the Spirit as the pledge, the guarantee. The anointing gives us the taste of God. By being anointed we receive the essence, the element, of God. By being sealed we have the image of God. By having the pledge, we have the taste of God. We have the element of God, the image of God, and the taste of God. Hallelujah! All this is related to the all-inclusive Spirit, who is the Lord Himself. By the all-inclusive Spirit we are filled, saturated, and mingled with God.

The result is that we are transformed. For this to be fully accomplished, we need to have our face unveiled ( 2 Cor. 3:18 ). To be unveiled means to be without a cover. If you read 2 Corinthians 3 , you will realize that the veil mentioned there is the Scriptures in black and white letters. I am concerned that many Christians are still veiled by the Bible. Others are veiled by their charismatic experiences or by some other experiences. We need the Lord’s mercy to remove all the veils and to give us an unveiled face, without concepts, ideas, and preoccupations. We need to be unveiled and to gaze upon Him as the all-inclusive Spirit. Then we will be transformed into His image.

The Kingdom
Chapter 20 Section 3
CWWL, 1972, vol. 2 (LSM)

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Maria L

Fremont, California, United States

Nov 24, 2024

Lord Jesus, we want to be one with Christ by enjoying the anointing constantly! Thank you Lord Jesus 🙏

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Brian

Louisiana, United States

Jun 17, 2022

The Christ = the Anointed One. It seems like when John said we have an anointing he meant the Anointed One is active in us. The Lord is now the Spirit & we have this Spirit so active in us. He is not just sitting idle in us. Praise the Lord the anointing lives in me.

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Alicia Hernandez

Austin, Texas

Aug 16, 2020

Amen!!! Oh Lord!!! Hallelujah!!! We are the anointed ones in Christ Jesus!!!

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