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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Father God, Thou art the source of life

Worship of the Father His Name, His Word, His Glory

English1081
1
Father God, Thou art the source of life.
We, Thy sons, are Thine expression;
In Thy name, our dear possession.
Father God, Thou art the source of life.
 
In Thy life, in Thy life,
We have oneness in Thy life.
In Thy life, in Thy life,
In Thy life, O Father, we are one.
2
How we thank Thee that Thy holy Word
With Thy nature, saturates us;
From the world it separates us.
Thank Thee, Father, for Thy holy Word.
 
Through Thy Word, through Thy Word,
We have oneness through Thy Word.
Through Thy Word, through Thy Word,
Through Thy holy Word we’re all made one.
3
Oh, the glory of the Triune God!
We’re His sons, oh, what a blessing!
We His glory are expressing—
Oh, the glory of the Triune God!
 
In Thy glory, in Thy glory,
In Thy glory we are one.
In Thy glory, in Thy glory,
In Thy glory we are all made one!

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Jaco

Cape Town, Western Cape, South Africa

Mar 2, 2014

I love You my Lord.

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Denis Tsewu

Lowell, MA, United States

Jul 21, 2013

Now I know the source of my life and it's ....the Father God!!!!! that separates me from the world.

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Steve Bishard

Va Beach, VA, United States

Apr 7, 2013

In thy glory. Amen!

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Leira

Philippines

Jul 28, 2012

What a genuine oneness have we! The Lord has given us three things that we may be one as He is with the Father! Praise Him for His life, His word and His glory... surely, this oneness is unshakable.. May all of us be brought to such a rich experience in this ultimate oneness!

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Imelda D'Almeida

London, United Kingdom

Dec 5, 2011

Thank You Lord for the processes (incarnation, human living, crucifixion and resurrection) You went through to bring this oneness. Thank You for Your prayer in John 17:21 -" That they all be one; even as You, Father are in Me and I in You, that they also may be in Us". As surely as the sanctifying Word, the sanctifying God, the sanctifying Spirit, and the sanctifying Life are One, those (the believers) who are being sanctified are also one. Praise the Lord!

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Lucia Lu

Atlanta, GA, United States

Dec 9, 2010

What a privilege that we can call Him 'Abba, Father!"

Jesus said to her (Mary), "Do not touch Me, for I have not yet ascended to the Father; but go to My brothers, and say to them that I am ascending to My Father and your Father, My God and your God." (John 20:17).

"For both He who sanctifies and those who are

being sanctified are all of One, for which cause He is not ashamed to call them brothers... (Hebrews 2:11).

He who sanctifies is Christ as the Firstborn Son of God, and those who are being sanctified are the believers of Christ as the many sons of God. Both the firstborn Son and the many sons of God are born of the same Father God in resurrection and have the same divine life and nature. Hence, He is not ashamed to call them brothers." (Recover Version, p. 1037).

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Jesus In Me

Jan 25, 2010

Thank You Lord for He helps us flee away all kinds of traditions, natural thoughts, preference, doctrines and rituals. We no longer live in doctrines, but we live in the Triune God. God's word is supreme! We could be one in God's Word!

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Doug

Ashland, MA, United States

Sep 18, 2008

Thank You Lord and thank you saints. This sweet hymn has really helped me to draw closer to our dear Lord today, to enjoy Him more fully, and to be nourished tenderly by His love and His Word. We rejoice in our corporate oneness with Him, the glorious expression of the Triune God!

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