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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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There were ninety and nine that safely lay

Gospel General

English1077
1
There were ninety and nine that safely lay
In the shelter of the flock,
But one was out on the hills away,
Far off in the cold and dark;
Away on the mountains wild and bare,
Away from the tender Shepherd’s care.
Away from the tender Shepherd’s care.
2
“Lord, Thou hast here Thy ninety and nine;
Are they not enough for Thee?”
But the Shepherd made answer: “This of Mine
Has wandered away from Me;
And although the road be rough and steep,
I go to the desert to find My sheep.”
3
But none of the ransomed ever knew
How deep were the waters crossed;
Nor how dark was the night which the Lord passed through
Ere He found His sheep that was lost.
Out in the bleak desert He heard its cry—
All bleeding and helpless, and ready to die.
4
“Lord, whence are those blood-drops all the way
That mark out the mountain’s track?”
“They were shed for one who had gone astray
Ere the Shepherd could bring him back.”
“Lord, whence are Thy hands so rent and torn?”
“They’re pierced tonight by many a thorn.”
5
And all through the mountains, thunder-riven,
And up from the rocky steep,
There arose a cry to the gate of heaven,
“Rejoice! I have found My sheep!”
And the angels echoed around the throne,
“Rejoice, for the Lord brings back His own!”

A classic much used and much blessed under the labor of D. L. Moody

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Susan

SI, New York, United States

Dec 23, 2020

Wow! God is always good. CHRIST died for everyone and ANYONE. GOD IS LOVE.

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Ashley Hardingham

Altrincham, Cheshire, United Kingdom

Dec 22, 2020

Only loosely based on Luke 15. Read it and find where the shepherd left the 99!

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Stanley Simpson

Clarence Creek, ON, Canada

Dec 6, 2020

I am sure the author had Luke 15 in mind when he penned this song, it brings me to tears whenever I think about it.

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Carol Hammond

Vernon, United States

Apr 23, 2020

This is such a powerful and yet tender hymn. I'm sad it isn't in our hymnals. The story behind the hymn, and the music to which the words were set are so interesting.

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Lynn Perkins

Austin, TX, United States

Apr 19, 2020

Thank you for this wonderful hymn. It further demonstrates just how diligent our Lord is in making sure all of his sheep are accounted for.

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W E Carthy

Bromley, Kent, United Kingdom

Oct 8, 2019

Beautiful and touching song.

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Evans

Port Harcourt, Nigeria

May 17, 2019

Am a lover of hymn and I love this one.... please can somebody redirect me to where I can download hymns?

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Olaniyi

Ibadan, Oyo, Nigeria

Jan 31, 2018

I love and very much cherish this hymn. Not only is it inspiring and full of insight. It shows us the compassion of our Lord Jesus and the price Christians are to pay in carrying out meaningful soul winning after the pattern set by our Saviour Jesus Christ.

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Sangkhawma

Aizawl, Mizoram, India

Aug 30, 2017

He not only found the lost sheep, never abandon me, showering all the good things everyday. He is really the TRUE Shepherd.

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Barbara Digby-North

Feb 24, 2016

These words aren't correct—it should read There were ninety and nine that safely lay In the shelter of the fold but one was up on the hills away far off from the gates of gold—other bits only slightly. I learned this by heart in 1968.

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