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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Pass me not, O gentle Savior

Gospel Crying to the Lord

English1054
1
Pass me not, O gentle Savior,
Hear my humble cry;
While on others Thou art calling,
Do not pass me by.
 
Savior, Savior,
Hear my humble cry;
While on others Thou art calling,
Do not pass me by.
2
Let me at Thy throne of mercy
Find a sweet relief;
Kneeling there in deep contrition,
Help my unbelief.
3
Trusting only in Thy merit,
Would I seek Thy face;
Heal my wounded, broken spirit,
Save me by Thy grace.
4
Thou the spring of all my comfort,
More than life to me;
Whom have I on earth beside Thee?
Whom in heaven but Thee?

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Sylvester Chidozie

Anambra

May 30, 2016

This is an awesome hymn. The Holy Spirit is a great teacher.

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Julian Walker

Greenwich, Connecticut, United States

Apr 20, 2016

This song has been laid on my heart for a week now, I have been humming around the house, while at work. I didn't know the full song word for word, but it's a song that I slways love to hear my mom singing...so during my devotion this morning I decide to look up the words of it to sing and I just happen to press this link...it is beautiful...the last verse got me so deep "who have I on earth, besides thee"...glory to God. Have a bless day😇😇😇🙏🙏🙏

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Steve Miller

Detroit, MI, United States

Mar 12, 2016

"Hers was an age of evangelistic singing missions, and Fanny Crosby’s hymns were always in request. So popular was the little poetess that she was invited to speak at many places where these missions were held. On one occasion, it was at a state prison. Much was hoped for from this particular meeting. As Fanny was speaking—and her very blindness gave her power—first one prisoner and then another would interrupt by calling on the good Lord not to pass me by.

Fanny told that she was so touched by the pleas of these men that she could not get the thought of them out of her mind; indeed she said, I wrote the lines of this song with the men’s pleading wail still in my ears." - 'Stories of Wonderful Hymns' by Kathleen Blanchard 1947

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"An earnest Christian pastor told of a young man about whom he had long felt much anxiety, as he had seemed so unconcerned about his soul, and was a real cause of disturbance and interruption in classes for other young men. Meeting him one day, the loving pastor sought once more to influence him, urging, “We want you for Christ and his service.” There was a certain change in his manner which did not escape the eye of the prayerful watcher for souls, and—lacking time to do more—he seized the opportunity to secure the presence of his young friend at a Christian Endeavor meeting soon to be held. True to his promise the young man was there. When an opportunity was given for some of the young men to choose a song, it was seen that this young man was urging his companion to select some par­tic­u­lar hymn. The other, yielding to his request, asked if the hymn, “Pass me not, O gentle Sav­iour,” might be sung; and both young men joined in the singing with evident interest and heartiness. Later in the evening it was requested that all who were definitely on the Lord’s side would confess their allegiance by standing. Whereupon the one over whom the heart of the pastor was specially yearning rose at once, and with de­ci­sion.

“Tell me about your conversion,” the thankful pastor requested at the close of the meeting, when hands were clasped in glad, brotherly welcome and re­cog­ni­tion.

“Oh, yes,” assented the other. “It was all through that hymn we have just sung. I was working on the canal at G–, and there was a meeting being held at the Mariner's Chapel, nearby. The words floated out over the water, and from the tug where I was working I could hear them plainly enough. When they were just going to sing those lines—‘While on others Thou are calling, Do not pass me by!’ a great fear came over me, and I thought, ‘Oh, if the Lord were to pass me by, how terrible it would be!’ Then and there, on the tug, I cried out, ‘O Lord, do not pass me by.’ And”—with a bright smile—“he didn’t pass me by. I am saved.’” - Story of Gospel Hymns by Ira Sankey 1907

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In a Western State lived an old man who was in the habit of going fishing on Sunday afternoons. Near the pond was a schoolhouse where Sunday School was held. Frequently they sang, Pass Me not, O Gentle Savior, during the afternoon service, and for some reason the old man was unable to forget the melody. One day he threw down his fishing-rod and went up to the schoolhouse. He was invited to the Sabbath School, but he said, No, I cannot come today, for I am not dressed well enough. Then he promised he would come if the children would sing Pass Me Not, O Gentle Savior. Two years after, in the presence of Mr. Doane, the old man, who was converted, related this story, and said, 'God bless William H. Doane and Fanny Crosby.'" - 'An Evening of Song and Story with Fanny J. Crosby' by S. Travena Jackson 1915

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"I learned this song in German for the open-air meeting held at the Brandenburg Gate dividing East & West Berlin (1955). Some 50,000 people came to hear Mr. Graham, speaking through his interpreter, Mr. Peter Schneider. It was said that 20,000 crossed the line from East Berlin. The country was divided, but the Berlin Wall had not yet been built. It was still possible to cross from East to West. What a privilege to be there and to hear their singing. Mr. Graham was truly anointed of God as he spoke from the open Bible. When the invitation was tenderly extended, we were amazed at the number inquiring about faith in the Lord Jesus. They were asked to write their names and phone numbers in the space provided in the program so they could receive further encouragement on their spiritual journey.

There was one young nurse from East Berlin who came with her friends. She was quite skeptical at first but upon hearing the message, found herself wanting to accept Jesus as her Lord and Savior. She didn't have a pen or pencil, so she used her lipstick to write her name on the response portion of the program. In the crusade office the next day a counselor, looking at the huge number of filled-out cards, picked up one of them to find a name and phone number written clearly in very bright lipstick. How exciting to discover that the young lady had joyously come to faith in Christ. 'Pass me not, O gentle Savior' is the heart cry of the song. Jesus had not passed her by! And He gave new life to the hundreds of others who called upon Him that memorable evening in West Berlin.

Some time later, Mr. Graham's interpreter, the young Peter Schneider, was introduced to this young lady. They fell in love and eventually married. God does indeed work in wonderful and mysterious ways." - 'How Sweet the Sound' by George Beverly Shea 2004

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Mirlene

Maryland, United States

Mar 9, 2016

Savior, PLEASE, do not pass me by!

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C-C

Jacksonville, Fl, United States

Mar 2, 2016

Mark 9:24—I Believe; Help Thou Mine Unbelief!!!!!!!

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James

Lagos, Lekki, Nigeria

Feb 28, 2016

The song is spirit filled.. Thank You Jesus.

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Zippie Muhinda

Kampala, Uganda

Feb 9, 2016

I am touched by the song.
Dear Lord indeed hear our cry.
Amen.

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Kehaka

Dar Es Salaam, Tanzania

Feb 8, 2016

Pass me not, O gentle Savior, Show me signs, hear my sincere cry when bless others with homes and families bless me too.

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Matu

Langhorne, Pennsylvania, United States

Jan 28, 2016

Lord, thank You for hearing my humble prayes. I know that You're working behind the scenes and You're working everything out for my good. I know that, it's difficult to wait but I pray for wisdom, understanding and patience. In spite of me being unfaithful, Lord, You remain faithful. Help me to trust and obey. You're Awesome and there is no one like You!

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lilian

Nairobi, Kenya

Jan 6, 2016

Jesus my Savior hear my humble cry when you bless others with homes and God fearing husband do not pass me by show me a sign Lord ........... Show me a sign.

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