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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Pass me not, O gentle Savior

Gospel Crying to the Lord

English1054
1
Pass me not, O gentle Savior,
Hear my humble cry;
While on others Thou art calling,
Do not pass me by.
 
Savior, Savior,
Hear my humble cry;
While on others Thou art calling,
Do not pass me by.
2
Let me at Thy throne of mercy
Find a sweet relief;
Kneeling there in deep contrition,
Help my unbelief.
3
Trusting only in Thy merit,
Would I seek Thy face;
Heal my wounded, broken spirit,
Save me by Thy grace.
4
Thou the spring of all my comfort,
More than life to me;
Whom have I on earth beside Thee?
Whom in heaven but Thee?

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Grace

Milford, DE, United States

Aug 17, 2018

This melody was on my heart all through the night. So happy to find the lyrics. It has been medicine to my soul.

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Victoria Nkantion

Westminster, United Kingdom

Aug 10, 2018

Great - l love this spiritual song it empower my faith.

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Bob Fillingane

Hattiesburg, Mississippi, United States

Aug 10, 2018

I am thankful that Jesus did not pass me by!

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Omoniyi Ezekiel Ibrahim

Ilesha, Osun State, Nigeria

Aug 1, 2018

God will never pass us by.

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John Macdonald

Lower Hutt, New Zealand

Jul 20, 2018

I always used to think that the last stanza quoting from Psalm 73 was a bit out of place for a gospel song and something only said by more mature Christians rather than sinners seeking salvation, but now realise it is perfect in this context! When we come to the Saviour with a "wounded, broken spirit" we really have the sense that Christ is all we have on earth and in heaven as life, comfort, and healing. There's no other source that can satisfy a person in this state, and that is what the sinner needs to be brought to. Beautiful words.

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Rob Johnson

York, North Yorkshire, United Kingdom

Apr 21, 2018

The story behind this, as told by John Hagee yesterday, is something else. Fanny Crosby, sitting on the end of a pew, blind and listening to an altar call, felt a lady pass by her as the ruffles on her clothes brushed Fanny Crosby when she passed. From that, a pencil and paper and this came about. Now that's inspiration!

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David Ogogo

Okene-Ihima, Kogi, Nigeria

Apr 17, 2018

This song is reassuring in difficult times that our Saviour, the Lord Jesus Christ, is able to pull us out of any situation.

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Jonn Chefor Pekeleke

Douala, Littoral

Apr 15, 2018

Soul searching and touching.

I have been travelling accross towns and countries for the past two years trying to concretise business opportunities without putting God at the center of my efforts and nothing has worked till now.

The Almighty God left me with this song in my lips that I could barely hum some words. In the early morning of this faithful Sunday 15th April.

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Henry Ngosa Mwape

Ndola, Copperbelt, Zambia

Mar 13, 2018

This is my favourite hymn.

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Pride Schemes Kangwa

Chililabombwe, Copperbelt Province, Zambia

Mar 12, 2018

This song really does bring the soul back to the Almighty Lord. O Lord be praised.

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