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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Softly and tenderly Jesus is calling

Gospel The Lord’s Calling

English1027
1
Softly and tenderly Jesus is calling—
Calling for you and for me;
Patiently Jesus is waiting and watching—
Watching for you and for me!
 
Come home! come home!
Ye who are weary, come home!
Earnestly, tenderly, Jesus is calling,
Calling, O sinner, come home!
2
Why should we tarry when Jesus is pleading—
Pleading for you and for me?
Why should we linger and heed not His mercies—
Mercies for you and for me?
3
Time is now fleeting, the moments are passing—
Passing from you and from me;
Shadows are gathering, death-beds are coming—
Coming for you and for me!
4
Oh, for the wonderful love He has promised—
Promised for you and for me!
Though we have sinned, He has mercy and pardon—
Pardon for you and for me!

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Enefiok

Uyo, Akwa Ibom State, Nigeria

Jun 3, 2022

I woke up this morning with this hymn flooding my mind and I heard myself singing it. It was ministering directly to me of our Father in heaven's merciful plan of salvation for all of His children. I immediately searched for this old sacred favorite hymn. I have been truly blessed by the Spirit this morning. I testify that our Father and His Son Jesus Christ love us so much and want us all to come home to them! Let's not tarry

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Cherry

United States

May 29, 2022

So much richness can be found in the old hymns! I haven't heard this one for years until this morning. I was watching a YouTube instrumental nature video and this is the hymn it was playing. The words instantly flooded my heart and I had to search for it! We are in such an awful mess all over the world because we have shut our Creator and Saviour out, yet He still calls. We must continue to tell of His Love to those who don't know!

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Owuor J.M

Nairobi, Kenya

Mar 19, 2022

Why should we delay when Jesus is pleading for you and for me?

Why should we linger and heed not His mercies for you and for me?

A lovely inspiring song! I feel so mellowed and blessed tonight as I get to sleep knowing that Jesus has mercies for me. He pleads our case! Amen

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Abubakar Ojima

Abuja, FCT, Nigeria

Jan 14, 2022

I was reading judges 19:3a when God flash this song through my heart. The same way the levite man went to speak friendly to his unfaithful concubine that is exactly what Christ to doing to us. Despite our unfaithfulness, He kept on pleading with us to return to Him. What a good study experience this morning with this hymn. Glory be to God.

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Joshua B.

Ankeny, IA, United States

Nov 29, 2021

I’ve been singing this to my daughter when I rock her to sleep. One of my all time favorite hymns.

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Yumiko Kukral

San Antonio, TX, United States

Oct 31, 2021

this is one of my favorite Gospel song. I am singing and praying for the girl who can not open her heart and let Jesus in Dear Lord please find her

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David R. Skelton

Waco, Texas, United States

Oct 21, 2021

I haven't heard or thought of this song in years, but it came to me after reading today's devotional in Hope for Each Day, by Billy Graham. It's a great blessing to know there is hope for when we are weary from having strayed from the ways and will of God and at the end of our days here on earth! BLESSINGS!

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Rochelle Monte

Newcastle Upon Tyne, Tyne And Wear, United Kingdom

Sep 27, 2021

My aunt passed away suddenly, I searched her Internet history and she had been listening to this on repeat for weeks. I believe she was calling for God to take her home. He listened. Now I am worried its stuck in my head and he thinks I want to come! I'm not ready just yet , just getting it out there .

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Juma_Omulubi

Nyeri, Western, Kenya

Sep 12, 2021

earnestly Jesus is calling us home, remember those days at Koyonzo High school, The most solace gospel music are found in the hymn book

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Willis

Kisumu, Kenya

Aug 15, 2021

This song reminds me of my days in high school. Today it has hit me as though I never heard it before. We need Jesus. We really need Jesus.

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